Instructors

David Flint

DAVID FLINT is a freelance writer, sometime filmmaker and full time angry misanthrope who has edited Sheer Filth, Divinity and Headpress, authored Babylon Blue, Ten Years of Terror and Zombie Holocaust and written for publications ranging from Rapid Eye, Bizarre and Skin Two to Penthouse, Loaded and Mayfair.

Austin Fisher

Austin Fisher Austin Fisher is Principal Academic in Media Production at Bournemouth University. He is author of Blood in the Streets: Histories of Violence in Italian Crime Cinema (EUP, 2019) and Radical Frontiers in the Spaghetti Western (I.B. Tauris, 2011), and editor of Spaghetti Westerns at the Crossroads (EUP, 2016). He is also co-editor (with Johnny Walker) of both Grindhouse: Cultural Exchange on 42nd Street, and Beyond (Bloomsbury, 2016) and Bloomsbury’s ‘Global Exploitation Cinemas’ book series.

Neil Snowdon

Neil Snowdon is a writer, editor and film programmer whose work has appeared in the pages of Rue Morgue Magazine and Video Watchdog. 'We Are The Martians: The Legacy Of Nigel Kneale' is his first book. A second volume of Kneale essays will be follow next year. He is also Series Editor of the forthcoming 'Midnight Movie Monographs' for Electric Dreamhouse Press, a new cinema imprint formed in conjunction with the award winning PS Publishing, due to begin publishing in 2016.

David Pirie

Author of 'A Heritage Of Horror', the seminal text on British Horror Films, David Pirie is also an author and screenwriter of repute. His first TV play 'Rainy Day Women' was directly inspired by aspects of Nigel Kneale's 'Quatermass II'. Later work includes the acclaimed 'Murder Rooms' series of novels and TV which explored the origins of Conan Doyle's Sherlock Holmes stories, an adaptation of Wilkie Collins' 'The Woman In White' for TV, uncredited work on Lars Von Trier's 'Breaking The Waves', and 'Murderland' starring Robbie Coltrane.

Jeremy Dyson

Author, screenwriter, playwright, and the least visible member of 'The League Of Gentlemen', Jeremy Dyson is also the author of 'Bright Darkness: The Lost Art Of The Supernatural Horror Film'. His short story collection 'The Cranes That Built The Cranes' won the 2010 Edge Hill Award, while his play 'Ghost Stories' (written with Andy Nyman) broke box office records at the Everyman Liverpool and the Lyric Hammersmith. Currently writing and script editing for TV he can also be seen playing keyboards for the band, Rudolph Rocker.

Stephen Laws

Author of 11 novels and numerous short stories (collected as 'The Midnight Man'), Stephen Laws is also a columnist, reviewer, film-festival interviewer and pianist. His novel 'Darkfell' was optioned by the Weinstein Company. He also wrote and starred in short Horror film 'The Secret'. His expert knowledge of the genre lead to a long association with the Festival Of Fantastic Films in Manchester, where he interviewed many stars, writers and directors of the genre from across the world. The best of these interviews will be collected as 'The Laws Of Horror', forthcoming from Spectral Press.

Maura McHugh

Maura McHugh Maura McHugh lives in the West of Ireland, and began her career in academia. Her first Masters examined Irish nineteenth century supernatural fiction (making her a life-long Dracula nerd). After a sojourn in IT she later explored her love of cinema through a Diploma in Film Studies followed by a Masters in Screenwriting. Her dark fantasy and horror short stories and non-fiction essays have appeared in magazines and anthologies in America and Europe. Her two collections - Twisted Fairy Tales and Twisted Myths - were published in the USA, and she's written award-winning comic book series, including co-writing Witchfinder with Kim Newman for Dark Horse Comics. Her short story 'Bone Mother' is being adapted into a stop-motion short film by See Creature in Canada. She has also served on the juries of international literary, comic book, and film awards. Her web site is http://splinister.com and she tweets as @splinister

Mark Morris

Acclaimed by Clive Barker as 'One of the finest horror writers at work today', Mark has also written original novels for the BBC Doctor Who range, and audio drama for Big Finish and Hammer. His short fiction is widely anthologised, while his work as editor of new annual collection 'The Spectral Book Of Horror Stories' was nominated for a British Fantasy Award. His most recent books are the hauntological horror novella 'Albion Fay' and 'The Society Of Blood', part two of his genre busting 'Obsidian Heart Trilogy' available now from Titan.

Lindsay Hallam

Lindsay Hallam Lindsay Hallam is a Senior Lecturer in Film at the University of East London. She is the author of the book Screening the Marquis de Sade: Pleasure, Pain and the Transgressive Body in Film (McFarland 2012), and has directed the documentary Fridey at the Hydey (2013). Lindsay has contributed to the collections Trauma, Media, Art: New Perspectives (Cambridge Scholars Publishing, 2010), Dracula's Daughters: The Female Vampire on Film (Scarecrow Press, 2013), Fragmented Nightmares: Transnational Horror Across Visual Media (Routledge, 2014), Critical Insights: Violence in Literature (Salem Press, 2014), and the journals Asian Cinema, Senses of Cinema, Cine-Excess and Journal of Italian Cinema and Media Studies. She is interested in all aspects of horror cinema, having written on topics such as female vampires, torture porn and post-9/11 trauma, mad science films, Italian horror, Australian eco-horror, and the television series Twin Peaks.

Mark Gatiss

Mark Gatiss is an English actor, comedian, screenwriter and novelist. He has written for and acted in TV series Doctor Who and Sherlock, the latter of which he also co-created. He is a member of the comedy team The League of Gentlemen alongside Reece Shearsmith, Steve Pemberton and co-writer Jeremy Dyson, and adapted MR James' 'The Tractate Middoth' for the BBC's long-running GHOST STORY FOR CHRISTMAS series in 2013.

Justin Harries

Justin Harries Justin Harries is the co-creator and curator of Filmbar70, a London based film-club that specialises in screening anomalies drawn from the last gasp of European genre cinema, and has contributed visual and written essays to a number of DVD releases – especially those that lean toward the more glamourous side of the giallo genre. He also makes up approximately 50% of ‘The Carpenters’ (a John Carpenter tribute band) and is a member of ‘The Begotten’, a collective providing improvised sonics to E. Elias Merhige’s avant-splatter flick.

Jack Sargeant

Jack Sargeant As an author Jack Sargeant’s work has been described as "dangerously inspirational". His numerous books include Against Control, Deathtripping: The Extreme Underground and Naked Lens: Beat Cinema (like Deathtripping now in its third English language edition). His forthcoming book Flesh and Excess on Underground Film is due for publication in late 2015. He has written on film and culture for numerous books, anthologies and journals, and introductions for books by Lydia Lunch, Romain Slocombe, Joe Coleman and for William Burroughs’s Unforgettable Characters. He writes a regular column for FilmInk, and has written for The Wire, Xochi 23, Fortean Times, World Art, Real Time and many other publications. Jack has frequently appeared as a documentary interviewee in films including Blank City, The Advocate for Fagdom and Llik Your Idols. He is regularly called upon to assist in research for television and film documentaries. In addition to writing, Sargeant has lectured on underground film and culture, beat culture, William Burroughs and many other topics across the world. He has curated numerous film and art events, including co-curating the critically acclaimed 'Sex' at Melbourne's Strange Neighbour gallery. He is currently program director for the Revelation Film Festival in Western Australia.

David Kerekes

David Kerekes David Kerekes is a co-founder of the publishing house Headpress. He is co-author of the books Killing for Culture (1994), revised and updated as Killing for Culture: From Edison to Isis — A New History of Death on Film (2016), and See No Evil: Banned Films and Video Controversy (2001). He is the author of Sex Murder Art: The Films of Jörg Buttgereit (1994) and has written extensively on popular culture. His meditation on southern Italian Diaspora and folklore, Mezzogiorno, was published in 2012. www.worldheadpress.com

John Cussans

John Cussans John Cussans is an artist, writer and researcher based in London. Since 2009 he has been involved with the Ghetto Biennale in Port-au-Prince, Haiti, often working with the Haitian video collective Tele Geto. He is the author of Undead Uprising: Haiti, Horror and the Zombie-Complex (Strange Attractor).

Catherine Lester

Catherine Lester Catherine Lester is completing her PhD on the children’s horror film at the University of Warwick, and has taught and spoken widely on this topic. Outside of this research, Catherine is interested in children’s media culture more broadly, particularly in representations of gender and sexuality, and has done some recent work in relation to this on Disney's Frozen. In March 2016 she co-organised an academic conference on ‘Girlhood, Media and Popular Culture, 1990-present’ at Warwick. She has written film reviews and essays for the site alternatetakes.co.uk and you can find her tweeting about popular culture, feminism and occasionally her pet rabbits @CineFeline.

Daniel Bird

Daniel Bird Daniel Bird is a writer, filmmaker, and one of the world’s leading scholars on Eastern European cult cinema. He has curated numerous retrospectives, overseen film restorations, participated in DVD commentaries and is best known as the biographer of both Walerian Borowczyk and Andrzej Żuławski. Daniel Bird first interviewed Zulawski for Eyeball magazine with Stephen Thrower back in 1997. He organised 'A Weekend with Andrzej Zulawski', the first Anglo-phone overview of Zulawski's films, at the Cine Lumiere in 1998. The following year he visited the set of Zulawski's La fidelite in Paris and worked with with Anchor Bay Entertainment to release Possession on DVD in the U.S., for which he also moderated a commentary track with the director. Over the years he continued to work with Zulawski, liaising with festivals, distributors and producers on retrospectives, DVD releases and film projects. Last year he made the English subtitles for Zulawski's Cosmos and produced a restoration of On the Silver Globe.

Jon Towlson

Jon Towlson Jon Towlson is a film critic and the author of THE TURN TO GRUESOMENESS IN AMERICAN HORROR FILMS, 1931-1936 (McFarland, 2016), CLOSE ENCOUNTERS OF THE THIRD KIND (CONSTELLATIONS) (Auteur/Columbia University Press, 2016) and SUBVERSIVE HORROR CINEMA: COUNTERCULTURAL MESSAGES OF FILMS FROM FRANKENSTEIN TO THE PRESENT (McFarland, 2014). He is a regular contributor to Starburst Magazine, and has also written for the BFI, Paracinema, Exquisite Terror, Irish Journal of Gothic and Horror Studies, Shadowland Magazine, Bright Lights Film Journal, Offscreen and Digital Film-Maker Magazine. Jon contributed to the recent edited collection LOST SOULS OF HORROR AND THE GOTHIC (eds. Bernice M. Murphy & Elizabeth McCarthy, McFarland, 2016). He is currently writing a monograph on the film CANDYMAN for Auteur/Columbia University Press. www.subversive-horror-films.com. @systemshocks

Jennifer Wallis

Jennifer Wallis Jennifer Wallis is Lecturer in Cultural and Intellectual History at Queen Mary University of London where she teaches modules on the history of psychiatry, Victorian values and controversies, and the history of the supernatural. She also writes on film and music and has contributed to several volumes in recent years including Are You in the House Alone? (2016) and Gathering of the Tribe: Music and Heavy Conscious Creation (2013). She is the editor of Fight Your Own War: Power Electronics and Noise Culture (Headpress, 2016).

Marcelle Perks

Marcelle Perks is a British author and journalist. Since 1993 she has contributed freelance articles to magazines such as Redeemer, Fangoria, Shivers, Flesh and Blood, SamHain, Kamera, Rue Morgue, Nerve.com, Film Maker magazine, The Dark Side and Videoworld. She has an MA in Media Studies and has taught creative writing at Leibniz University. She has contributed to The BFI Companion to Horror, British Horror Cinema, Gothic Lifestyle, Cinema Macabre, and Alternative Europe: Eurotrash & Exploitation Cinema since 1945. She’s also written how-to guides on sexuality and writes erotica and crime novels. Since 2001 she has lived in Germany.

Amanda Reyes

Amanda Reyes Archivist by day, film lover by night, Amanda Reyes is also a freelance author who has been published online and in print. She recently edited Are You in the House Alone? A TV Movie Compendium: 1964-1999 (Headpress, 2017) which celebrates the made for television film, and expands upon her TV movie-centric blog, Made for TV Mayhem and its companion podcast.

Nag Vladermersky

Nag Vladermersky is the founder, director and programmer of the London International Animation Festival (LIAF) in the UK. Over 14 years LIAF has grown to become the UK’s largest animation festival annually screening 300 animated films from more than 30 countries over 10 days and nights in several London venues. Throughout the year the festival also tours festival highlights and other screening programmes all over the UK and to several international animation festivals across the world. LIAF has attracted increasing international respect and recognition while progressing the unique visions of talented animators worldwide. Nag is also the co-Director of the Melbourne International Animation Festival (MIAF) in Australia and he regularly travels to festivals, colleges and institutions across the UK and worldwide delivering lectures and presentations on all aspects of animation.

Derek Johnston

Derek Johnston Derek Johnston is Lecturer in Broadcast Literacy at Queen's University, Belfast, and is the author of Haunted Seasons: Television Ghost Stories for Christmas and Horror for Halloween (Palgrave Macmillan, 2015). His research focuses on British broadcasting history and on the history of genres such as science fiction and horror, particularly where the two combine.

Ian Cooper

Ian Cooper Ian Cooper is an author and screenwriter. His books include Devil´s Advocates: Witchfinder General (Auteur 2011), Cultographies: Bring me the Head of Alfredo Garcia (Wallflower Press 2012) and Frightmares: A History of British Horror (2016). He has also written for edited collections on subjects including early 70s vampire films and the cult appeal of Klaus Kinski. His books, Devil´s Advocates: Frenzy (Auteur) and Family Values: The Manson Family on Film and TV (McFarland) will be published in 2018. He also has a number of screenplays in various stages of development in the UK and US. He lives in Germany.

Howard David Ingham

Howard David Ingham Howard David Ingham is a writer and educator. He lives in Swansea. Between 2005 and 2012 his work appeared in more than forty publications for White Wolf Games Studio. He writes games, fiction and books, and keeps a regular blog about film and culture at Room207Press.com. His book We Don’t Go Back: a Watcher’s Guide to Folk Horror is due for release in 2018. Twitter: @HowtheWoodMoves Facebook: Room207Press

Stacey Abbott

Stacey Abbott Stacey Abbott is Reader in Film and Television Studies at the University of Roehampton. She is the author of Celluloid Vampires (2007), Undead Apocalypse: Vampires and Zombies in the 21st Century (2016), and co-author, with Lorna Jowett, of TV Horror: The Dark Side of the Small Screen (2012).

Stephen Jones

Stephen Jones STEPHEN JONES lives in London. One of Britain’s most acclaimed horror and dark fantasy writers and editors, he has more than 145 books to his credit. You can visit his web site at www.stephenjoneseditor.com.

Ramsey Campbell

Ramsey Campbell RAMSEY CAMPBELL lives on Merseyside with his wife Jenny. His pleasures include classical music, good food and wine, and whatever’s in that pipe. His web site is at www.ramseycampbell.com.

Mark Rance

Mark Rance Mark Rance is a documentary filmmaker who for many years was a producer at The Criterion Collection before forming his own company in Los Angeles and producing DVDs and Blu-rays for the Hollywood studios. His titles include THE SILENCE OF THE LAMBS, ROBINSON CRUSOE ON MARS, HARD EIGHT (aka SYDNEY), BOOGIE NIGHTS, MAGNOLIA, SEVEN, I,ROBOT, THE PRESTIGE, RESERVOIR DOGS and THE DARK KNIGHT. He moved to London in 2004 and established Watchmaker Films to restore and distribute lost independent films. Those restorations include Eagle Pennell’s THE WHOLE SHOOTIN’ MATCH and LAST NIGHT AT THE ALAMO; Tobe Hooper’s first feature, EGGSHELLS; and Jack Hazan’s A BIGGER SPLASH.

Josh Saco

Josh Saco Josh Saco is one of the UK's leading independent film curators and runs Cigarette Burns Cinema. Catering to fans of leftfield, classic horror and exploitation cinema, he celebrates the celluloid, screening primarily from rare 16mm and 35mm prints at prestigious venues including the Barbican, Prince Charles and Regent Street Cinema and various festivals. Saco offers a unique and informed perspective on everything from beloved genre oddities to the complexities of film, digital and modern cinema.

Heather Buckley

Heather Buckley Heather Buckley worked as a graphic designer and creative lead for thirteen years in the New York advertising world before transitioning to live her life-long dream of a career in the Film World. She has worked for years as a journalist for Dread Central, Diabolique, Fangoria and Vulture. She worked in the makeup department on Billy Pon’s CIRCUS OF THE DEAD, and then as Makeup FX Shop Supervisor on The Booth Brothers’ DEAD STILL (and, under prosthetics, played a featured ghoul—film soon to be released by Sony Pictures) and Ted Geoghegan’s WE ARE STILL HERE (MPI). She is currently a Blu-Ray Special Features Producer for Red Shirt Pictures, Severin Films, Kino Lorber and Liongate (Vestron) working on documentaries (over 100 and counting), which include THE THING, 8 MILLION WAYS TO DIE, BARTON FINK, THE LONG RIDERS, SAW 10th Anniversary reissue, and ARMY OF DARKNESS. She is also one of the Producers on Jen Wexler’s The Ranger for Glass Eye Pix and Hood River Entertainment a punk rock horror film coming to a pit near you.

Sarah Crowther

Sarah Crowther Sarah Crowther is a Lecturer in Media at Swansea University. She was the director of the 13th Fantastic Films Weekend at the National Media Museum in Bradford and has served on festival juries at Leeds International Film Festival and Celluloid Screams in Sheffield. She has written for Diabolique magazine and has recently featured in the i newspaper and The Conversation on the subjects of The Exorcist and correlations in the comedy and horror genres. She is currently working towards her PhD in Creative Writing, scripting a feature length comedy horror film and developing a thesis on the characterisation and correlation of genre. She also loves drag.

Jane Giles

Jane Giles Lecturer Jane Giles was programmer at the Scala from 1988-1992, and has since worked in film distribution and exhibition for the likes of Tartan Films, the ICA and the BFI. She teaches at the London Film School and the National Film & Television School, and is the author of four books including The Scala Cinema, 1978-1993, for publication in September 2018 by FAB Press.

Sean Hogan

Sean Hogan Sean Hogan is a writer and filmmaker. His directorial credits include Lie Still and The Devil's Business; he also produced the feature documentary Future Shock! The Story of 2000AD and has worked on the screenplays for a number of other films, most notably The Borderlands. In collaboration with Kim Newman, he was responsible for devising two multi-author anthology plays, The Hallowe'en Sessions and The Ghost Train Doesn't Stop Here Anymore, both of which he directed. Most recently, he wrote a metafictional book on the cult 70's horror film Death Line, and wrote and directed a short film homage to the BBC Christmas Ghost Story tradition entitled We Always Find Ourselves in the Sea.

Bernice M. Murphy

Bernice M. Murphy Bernice M. Murphy is Lecturer in Popular Literature in the School of English, Trinity College, Dublin. She has published extensively on topics related to horror fiction and film, and is an expert on Shirley Jackson who edited the first ever essay collection on her work, Shirley Jackson: A Literary Legacy (2005). Her other books include The Suburban Gothic in American Popular Culture (Palgrave, 2009), The Rural Gothic: Backwoods Horror and Terror in the Wilderness (Palgrave, 2013), The Highway Horror Film (Palgrave Pivot, 2014) and (edited with Elizabeth McCarthy) Lost Souls of Horror and the Gothic (McFarland, 2017). Her current book project is a monograph entitled California Gothic.

Mikel J. Koven

Mikel J. Koven Mikel J Koven is Senior Lecturer and Course Leader in Film Studies at the University of Worcester. He is the author of La Dolce Morte: Vernacular Cinema and the Italian Giallo Film (2006), Film, Folklore & Urban Legends (2008), and Blaxploitation Cinema (2010). He frequently publishes on topics about the relationship between folklore and horror cinema.

Dean Hurley

Dean Hurley Dean Hurley is an American sound designer, re-recording mixer and composer. Hurley exclusively operated director David Lynch’s Asymmetrical Studio from 2005 - 2018, where he collaborated extensively on the sound and music for an array of Lynch’s film projects, commercial work and albums. In 2017, Hurley served as supervising sound editor and music supervisor for Lynch’s third season of the ground-breaking television series Twin Peaks (Showtime), contributing original ambient compositions later released under the Anthology Resource series moniker.

David Misch

David Misch David Misch has been a comic folksinger, stand-up comedian and screenwriter; his credits include the multiple-Emmy-nominated “Mork & Mindy”, the Emmy-losing “Duckman”, the Emmy-ignored “Police Squad!”, the Emmy-engorged “Saturday Night Live” and the Emmy-ineligible “The Muppets Take Manhattan.” David’s written Funny: The Book and A Beginner’s Guide To Corruption; he blogs for The Huffington Post and appears in the anthology Horrific Humor and the Moment of Droll Grimness in Cinema: Sidesplitting sLaughter. His play “Occupied” is in development at the Skylight Theatre in Los Angeles. David’s taught comedy at the University of Southern California, musical satire at UCLA, and spoken about comedy at Oxford University, the Smithsonian Institute, the University of Sydney (Australia); Yale, 92nd St. Y, the Actors Studio, New York Public Library, American Film Insitute, Grammy Museum (Los Angeles), Lucasfilm, Austin Film Festival, Midwest Popular Culture Association and VIEW Cinema Conference (Torino, Italy). More at davidmisch.com.

Rebekah McKendry

Rebekah McKendry Rebekah McKendry, PhD is an award-winning film and television director with a strong focus in the horror and science fiction genres. She has a doctorate focused in Media Studies from Virginia Commonwealth University, a MA in Film Studies from City University of New York, and a second MA from Virginia Tech in Media Education. Rebekah previously has worked as the Editor-in-chief at Blumhouse Productions and as the Executive Director of Marketing for Fangoria Entertainment. She is also a co-host of Blumhouse's SHOCK WAVES podcast. Her newest feature film, ALL THE CREATURES WERE STIRRING, is a horror-comedy releasing this Fall.

Amy Voorhees Searles

Amy Voorhees Searles Amy Voorhees Searles is an award-winning Senior Producer in the Content division of Trailer Park, Inc. A proud, second-generation horror fan, Amy’s lifelong passion for horror and exploitation cinema saw her working for genre luminaries Joe Bob Briggs and Roger Corman at the start of her professional career. Though she found herself drawn into the field of mainstream home entertainment, she never turned her back on her first love, and she remains an active member of the Los Angeles horror community. Her essay on the depiction of female monsters in Mexican horror cinema of the 1950s and 1960s will be featured in the upcoming book Creepy Bitches, a collection of compositions by female horror creators and fans.

Mitch Horowitz

Mitch Horowitz A widely known voice of esoteric ideas, Mitch Horowitz is a writer-in-residence at the New York Public Library, lecturer-in-residence at the University of Philosophical Research in Los Angeles, and the PEN Award-winning author of books including Occult America and The Miracle Club. He has written on alternative spirituality for The New York Times, The Wall Street Journal, Time, Politico, and other national media. The Washington Post says Mitch “treats esoteric ideas and movements with an even-handed intellectual studiousness that is too often lost in today’s raised-voice discussions.” Mitch’s work has been censored in China, in school districts, and at New Age centers.

David J. Skal

David J. Skal David J. Skal is widely recognized as one of the world's leading authorities on horror in popular culture. His signature book, The Monster Show: A Cultural History of Horror, called "The best book on horror movies I have ever read" by Robert Bloch, author of Psycho, has been in continuous print for twenty-five years, including three American editions, a British edition, and translations into Spanish, Italian, Russian, Chinese and Japanese. His other critically acclaimed books include Hollywood Gothic: The Tangled Web of Dracula from Novel to Stage to Screen (“the ultimate book on Dracula,” according to Newsweek); Screams of Reason: Mad Science and Modern Culture, Dark Carnival: The Secret World of Tod Browning (with Elias Savada): V is for Vampire, Death Makes a Holiday: A Cultural History of Halloween; Dracula: The Ultimate Illustrated Edition of the World-Famous Vampire Play; and, with Jessica Rains, Claude Rains: An Actor’s Voice. With the late Nina Auerbach he is co-editor of the Norton Critical Edition of Bram Stoker’s Dracula, widely regarded as the definitive academic text. In collaboration with John Edgar Browning he is currently preparing a revised second edition for release in 2019. As a documentary filmmaker he has written, produced and directed a dozen DVD/Blu-ray features on Universal Studio's classic monster movies, as well as a behind-the-scene chronicle of Bill Condon’s Academy Award-winning film Gods and Monsters. His audio commentaries appear on the special-edition DVDs of Tod Browning’s Dracula and Freaks, and he also acts as host/narrator for his own Universal documentaries The Frankenstein Files, Back to the Black Lagoon, and Abbott and Costello meet the Monsters. His hundreds of media appearances have included The Today Show, A&E Biography, NPR's All Things Considered, Morning Edition, Weekend Edition, and Fresh Air. He has lectured internationally on monsters and horror at leading colleges, universities, and cultural institutions, including the Musée du Louvre, and taught courses based on The Monster Show at the University of Victoria and Trinity College Dublin, where he was named a Visiting Research Fellow in 2010. The fellowship supported the primary research for his most recent project, Something in the Blood: The Untold Story of Bram Stoker, which was a 2017 finalist for the Mystery Writers of America's Edgar Award for biography and criticism. His journalism and book reviews have appeared in The New York Times and the Boston Globe, and he has served for many years as a film critic for The Magazine of Fantasy and Science Fiction.

Rodman Flender

Rodman Flender Rodman Flender has worked in film, theater, documentary and television. His genre directing credits include Dimension TV’s Scream, the TV Series; HBO’s Tales From the Crypt; The Roger Corman-produced feature The Unborn; and Columbia Pictures’ Idle Hands. He recently wrapped shooting the horror-comedy Eat, Brains, Love for production company Gunpowder & Sky. He has lectured on television directing at USC’s Peter Stark Producing Program and film analysis at Harvard University.

Don Coscarelli

Don Coscarelli DON COSCARELLI became the youngest filmmaker ever to have a feature film distributed by a studio when Universal bought his first film at age 19. The independent, award-winning filmmaker is best known for Phantasm which spawned a rabid cult of fans worldwide. His other indie genre hits include The Beastmaster and Bubba Ho-tep. On TV he directed Showtime’s Masters of Horror premiere episode. His film John Dies at the End was a Sundance selection. In 2004, he was inducted into Fangoria’s Hall of Fame.

David Bushman

David Bushman David Bushman has been a television curator at the Paley Center since 1992, excluding a two-year stint as program director at TV Land. He is the coauthor of Twin Peaks FAQ: All That’s Left to Know About a Place Both Wonderful and Strange (2016) and Buffy the Vampire Slayer FAQ: All That’s Left to Know About Sunnydale’s Slayer of Vampires, Demons, and Other Forces of Darkness (2017). He is co-president/publisher of Fayetteville Mafia Press (http://www.fayettevillemafiapress.com) and has taught media and writing courses as multiple colleges in the New York metropolitan area. He is also a regular contributor to PaleyMatters (www.paleymatters.org).

Joe Coleman

Joe Coleman Joe Coleman is a world-renowned painter, writer and performer who has exhibited for four decades in major museums throughout the world including one-man exhibitions at the Palais de Tokyo in Paris, the Kunst-Werke Institute for Contemporary Art in Berlin, the Barbican Centre in London, Tilton Gallery and Dickinson Gallery in New York. He was recently featured in the ground-breaking "Unrealism" show in Miami presented by Jeffrey Deitch and Larry Gagosian. His performance work from the 1980's was some of the most radical of its time, and can be seen in the films Mondo New York (1988) and Captured (2008). The new book on extreme performance, Avant Garde from Below: Transgressive Performance from Iggy Pop to Joe Coleman and G.G. Allin by Clemens Marschall, explores Coleman's influence during this pivotal period. An avid and passionate collector, Coleman's "Odditorium" is a private museum where sideshow objects, wax figures, crime artifacts and works of religious devotion live together to form a dark mirror that reflects the alternative side of the American psyche. His work has been published in numerous books, prints and records. Joe Coleman was the subject of an award-winning feature length documentary, Rest in Pieces: A Portrait of Joe Coleman (1997). He has appeared in acting roles in films such as Asia Argento's Scarlet Diva (2000) and The Cruel Tale of the Medicine Man (2015). He lives with his wife Whitney Ward in Brooklyn, New York.

Alexandra Heller-Nicholas

Alexandra Heller-Nicholas Alexandra Heller-Nicholas has published five books on cult, horror and exploitation cinema with a particular focus on gender politics. Her books include Rape-Revenge Films: A Critical Study (McFarland, 2011), Found Footage Horror Film: Fear and the Appearance of Reality (McFarland, 2014), a 2016 monograph on Dario Argento’s Suspiria (part of Auteur’s Devil’s Advocates series), a 2017 book on Abel Ferrara’s Ms. 45 as part of Wallflower/Columbia University Press’s Cultographies series, and in 2018, a book on Robert Harmon's 1986 film The Hitcher, published by Arrow Books. She is currently working on books including 1000 Women in Horror, a book on art and intertextuality in giallo cinema, and co-editing a collection about the film work of Elaine May for Edinburgh University Press's ReFocus series.

Jack Ketchum

Jack Ketchum Jack Ketchum (1946 – 2018) is the pseudonym for a former actor, singer, teacher, literary agent, lumber salesman, and soda jerk — a former flower child and baby boomer who figures that in 1956 Elvis, dinosaurs and horror probably saved his life. His first novel, Off Season, prompted the Village Voice to publicly scold its publisher in print for publishing violent pornography. He personally disagrees but is perfectly happy to let you decide for yourself. His short story The Box won a 1994 Bram Stoker Award from the HWA, his story Gone won again in 2000 — and in 2003 he won Stokers for both best collection for Peaceable Kingdom and best long fiction for Closing Time. He has written eleven novels, the latest of which are Red, Ladies’ Night, and The Lost. His stories are collected in The Exit At Toledo Blade Boulevard, Broken on the Wheel of Sex, and Peaceable Kingdom. His novella The Crossings was cited by Stephen King in his speech at the 2003 National Book Awards. (Photo by Steve Thornton) www.jackketchum.net

Dennis Paoli

Dennis Paoli Dennis Paoli has written for film, TV, the stage, and the internet. His feature films include Bodysnatchers (with Stuart Gordon, for Warner Brothers), adaptations of H. P. Lovecraft's Re-Animator (with Stuart Gordon and William Norris), From Beyond (for Empire), and Dagon (for Filmax). For the stage, he wrote the one-man show Nevermore: An Evening with Edgar Allan Poe, which has been performed internationally; co-wrote the script for Re-Animator: The Musical, for which he won several LA theater awards; and co-wrote with the Organic Theater Company, the baseball comedy Bleacher Bums, which ran Off-Broadway, through three revivals in Chicago, and over seven years in Los Angeles. The television version for PBS won an Emmy, and the film version (which he co-wrote with Mitch Paradise) aired on Showtime. The HBO film The Dentist (with Stuart Gordon) and his work for Showtime’s Masters of Horror series—adaptations with Stuart Gordon of H. P. Lovecraft’s Dreams in the Witch House and Edgar Allan Poe’s The Black Cat—brought the horror genre to cable television. His adaptation of Lovecraft’s The Hound was streamed on Halloween 2015 by the genre website Tales from Beyond the Pale (talesfrombeyondthepale.com). Dennis is also an academic, a teacher and administrator at Hunter College of the City University of New York. He has taught Gothic and Irish literature and 20th century drama. He has written criticism and articles for the New York Times, the Village Voice, the Dictionary of Literary Biography, the Encyclopedia of World Literature in the 20th Century, and various volumes, periodicals, and online blogs. The most important work he does is as Donor-Advisor of The Heidi Paoli Fund, a philanthropic organization that supports cancer patients and their caregivers.

Maitland McDonagh

Maitland McDonagh Maitland McDonagh is the founder of 120 Days Books, a small press dedicated to republishing gay erotic pulp novels of the 1970s, a film critic with a predilection for horror and the author of books that including Broken Mirrors/Broken Minds: the Dark Dreams of Dario Argento and The 50 Most Erotic Films of All Time.

Michael Gingold

Michael Gingold Michael Gingold has been covering the world of horror cinema since high school, when he started publishing the fanzine SCAREAPHANALIA. He spent 28 years as part of the staff of FANGORIA magazine and its website—beginning as a writer in 1988, and serving as associate editor, then managing editor and finally editor-in-chief. He is currently an editor and/or writer for RUE MORGUE, SCREAM, BIRTH.MOVIES.DEATH, DELIRIUM and Blumhouse.com. Michael has done liner notes for a number of Blu-ray and DVD releases, appeared in numerous documentaries and disc featurettes, and taken part in several DVD/Blu-ray audio commentaries. Among his screenplay credits are SHADOW: DEAD RIOT (Fever Dreams), LEECHES! (Rapid Heart Pictures) and the upcoming THE DOLL for director Dante Tomaselli. He currently hosts monthly Prints of Darkness screenings of classic horror films on 35mm at the Greater NY Alamo Drafthouse Cinema.

Grady Hendrix

Grady Hendrix Grady Hendrix has written about the confederate flag for Playboy magazine, terrible movie novelizations for Film Comment, and Jean-Claude Van Damme for Slate. He’s covered machine gun collector conventions, written award shows for Chinese television, and answered the phone for a parapsychological research organization. His novel, Horrorstör, about a haunted IKEA, has been translated into 14 languages and is currently being developed into a television series. His latest novel is My Best Friend’s Exorcism, now out in paperback, and he’s the screenwriter for Mohawk, a War of 1812 horror movie that recently premiered at Montreal’s Fantasia Film Festival. His next book is Paperbacks from Hell, a non-fiction history of horror paperbacks in the Seventies and Eighties, out on September 19.

Sukhdev Sandhu

Sukhdev Sandhu Sukhdev Sandhu runs the Colloquium for Unpopular Culture at New York University where he is also Director of the Center for Experimental Humanities and teaches classes on hydropoetics, ghosts and sound art. His books include London Calling (2003), I’ll Get My Coat (2005), Night Haunts (2007), and Other Musics (2016). A former Critic of the Year at the British Press Awards, he writes for The Guardian, The Wire, Frieze, Sight and Sound, Bidoun, and Suddeutsche Zeitung. He makes radio documentaries for the BBC and runs the publishing imprint Texte und Töne.

Kristen J. Sollée

Kristen J. Sollée Kristen J. Sollée is a lecturer at The New School and founding editrix of Slutist, a sex positive site that examines the intersections between sex, feminism, and the occult. Sollée’s signature college course, “The Legacy of the Witch” follows the witch across history, pop culture, and politics, from the Venus of Willendorf to The Love Witch. Her first book, Witches, Sluts, Feminists: Conjuring the Sex Positive, was published by Stone Bridge Press in 2017.

Dianca London Potts

Dianca London Potts Dianca London Potts earned her MFA in fiction from The New School. She is a Kimbilio Fiction Fellow, a VONA Voices alumna, and the online editor of Well-Read Black Girl. Her words have been featured in Lenny Letter, The Village Voice, Vice, and elsewhere. Her memoir, Planning for the Apocalypse, is forthcoming from 37 Ink. She currently works and resides in Brooklyn. You can follow her musings on Twitter via @diancalondon.

Kristopher Woofter

Kristopher Woofter Kristopher Woofter teaches courses on the American Gothic, the Weird tradition, and literary and cinematic horror in the English Department of Dawson College, Montréal. He earned his PhD from Concordia University. He is co-editor of the upcoming collection, Joss Whedon vs. Horror: Fangs, Fans and Genre in Buffy and Beyond (I.B. Tauris). Kristopher is also a programmer for the Montréal Underground Film Festival and served for ten years as a co-chair for the Horror Area of the PCA/ACA annual national conference.

Samm Deighan

Samm Deighan Samm Deighan is Associate Editor of Diabolique Magazine and co-host of the Daughters of Darkness Podcast. She’s the editor of Lost Girls: The Phantasmagorical Cinema of Jean Rollin and her book on Fritz Lang’s M (1931) is forthcoming.

Rémy Bennett

Rémy Bennett Rémy Bennett is a filmmaker, writer and curator based in New York City. She earned her BA in acting and drama studies from The Central School of Speech and Drama in London and studied film at SVA in New York. Her feature film debut Buttercup Bill produced by Sadie Frost’s Blonde to Black Productions was released theatrically in the UK and screened at Raindance, The New Orleans Film Festival, and The Marfa Film Festival in 2015. Under Her Skin, a documentary series co directed with her sister Kelsey Bennett premiered at the 2018 Tribeca Film Festival and their short documentary Search to Survive was commissioned by Tribeca Studios in collaboration with 23 & Me and was showcased at the 2019 Tribeca Film Festival. Bennett’s short serial killer film and art installation Eat Me exhibited at the SPRING/BREAK ART SHOW and was voted in the critics top 10 shows at Armory Week in W Magazine and Gothamist. Her film series GRIT & GORE: NYC HORROR at The Roxy Cinema in NY featured screenings and artist talks with Larry Fessenden, William Lustig, Frank Henenlotter, and Roberta Findlay. Bennett’s writing and art has been featured in Playboy, Vice, Bust and Diabolique, and in 2018 she covered the Oxygen Network’s inaugural true crime convention CrimeCon for Playboy Magazine and the all-female media company The Front where she explored women’s attraction to the true crime genre and profiled the hit horror/crime podcast The Last Podcast On The Left. Rémy has been a guest lecturer and conducted symposiums for The Miskatonic Institute of Horror Studies and The Toronto True Crime Film Festival curated by Kier-La Janisse where she discussed her work on the late noir and true crime writer John Gilmore. Bennett recently spoke on a panel at the design institute AD/O in Brooklyn for a seminar exploring Fear, Violence, & Monsters in culture, curated by Dr. Nelly Ben Hayoun and was a guest on Ben Hayoun’s podcast. Rémy is currently in production on a feature documentary set amidst a group of progressive female activists in the American South and will soon be releasing a literary true crime podcast.

Joe Rubin

Joe Rubin Joe Rubin is a film collector, programmer and preservationist who founded Vinegar Syndrome with Ryan Emerson in 2012.

Jacqueline Castel

Jacqueline Castel Jacqueline Castel is a filmmaker, curator, archivist, and co-director of the Miskatonic Institute of Horror Studies. Her work as a writer and director has screened at Sundance, SXSW, Sitges, & Fantasia, and has featured collaborations with cult auteurs John Carpenter, David Lynch, and Jim Jarmusch. Castel’s archival work has extended to the estates of artists Genesis Breyer P-Orridge and H.R. Giger, and she has guest programmed for SXSW, the Alamo Drafthouse, New Beverly, Close-Up Film Centre, and Spectacle Theater. She is currently in production on a documentary about international anticult Thee Temple Ov Psychick Youth and in pre-production on an erotic thriller set in Tokyo co-written by herself and Sasha Grey.

Jared Rivet

Jared Rivet Jared Rivet is a horror screenwriter, producer, director, author, and voice actor. He wrote the screenplay for the Kevin Greutert-directed feature film Jackals (released by Scream Factory in 2017). Since 2014, he has written, directed and acted in multiple episodes of Earbud Theater, an award-winning audio drama anthology series specializing in horror and sci-fi. In 2016, he received an Audio Verse Award nomination for his performance in the Earbud Theater episode On the Line, which he also wrote and directed. He served as a guest lecturer at the Drexel University Great Works Symposium’s “Zom Con” in 2015; contributed an essay to the 2018 collection My Favorite Horror Movie; and he has co-hosted the monthly trivia event “Dead Right Horror Trivia” with Dr. Rebekah McKendry since 2015. He has multiple film, television, and audio drama projects in development and is currently in post-production on his latest Earbud Theater podplay, Tales from the Dead of Night, premiering in October of 2018. He can be found on Twitter at @jaredrivet1.

Richard J. Hand

Richard J. Hand Richard J. Hand is Professor of Media Practice at the University of East Anglia (UK). He is the author of numerous studies of popular horror culture including two books on horror radio drama and is the co-author (with Michael Wilson) of three books on Grand-Guignol horror theatre. He has written and directed numerous radio and stage plays, including commissioned works for the Abertoir Horror Festival and (with Geraint D’Arcy) a recreation of the Victorian stage illusion ‘Pepper’s Ghost’ in the original venue in London where the illusion was first presented in 1862. For several years, he produced the annual public Halloween performance for Cardiff city council. He is artistic advisor for Molotov Theatre Group and his media appearances include Heston Blumenthal's Great British Food and the special edition DVD of Tim Burton’s Sweeney Todd.

Mark Jancovich

Mark Jancovich Mark Jancovich is Professor of Film and Television Studies at the University of East Anglia, UK. He is the author of several books: Horror (Batsford, 1992); The Cultural Politics of the New Criticism (CUP, 1993); Rational Fears: American Horror in the 1950s (MUP, 1996); and The Place of the Audience: Cultural Geographies of Film Consumption (with Lucy Faire and Sarah Stubbings, BFI, 2003). He is also the editor several collections: Approaches to Popular Film (with Joanne Hollows, MUP, 1995); The Film Studies Reader (with Joanne Hollows and Peter Hutchings, Arnold/OUP, 2000); Horror, The Film Reader (Routledge, 2001); Quality Popular Television: Cult TV, the Industry and Fans (with James Lyons, BFI, 2003); Defining Cult Movies: The Cultural Politics of Oppositional Taste (with Antonio Lazaro-Reboll, Julian Stringer and Andrew Willis, MUP, 2003); Film Histories: An Introduction and Reader (with Paul Grainge and Sharon Monteith, EUP, 2006); Film and Comic Books (with Ian Gordon and Matthew P. McAllister, University Press of Mississippi, 2007); and The Shifting Definitions of Genre: Essays on Labeling Films, Television Shows and Media (with Lincoln Geraghty, McFarland, 2008). He was also the founder of Scope: An Online Journal of Film Studies; is series editor (with Eric Schaefer) of the MUP book series, Inside Popular Film; and is series editor (with Charles Acland) of the Berg book series, Film Genres. After over a decade researching the history of horror in the 1940s, he is now working on horror in the 1960s.

Iain Robert Smith

Iain Robert Smith Iain Robert Smith is a Lecturer in Film Studies at King’s College London. He has published extensively on cult and horror cinema, with a particular emphasis on international remakes. He is author of The Hollywood Meme: Transnational Adaptations in World Cinema (EUP, 2016) and co-editor of the collections Transnational Film Remakes (with Constantine Verevis, EUP, 2017) and Media Across Borders (with Andrea Esser and Miguel Bernal-Merino, Routledge, 2016). He is also the co-founder of the Remakesploitation Film Club and he is currently working on a book about global cult cinema.

Nuzo Onoh

Nuzo Onoh Nuzo Onoh is a British writer of African-Igbo heritage. Popularly known as, “The Queen of African Horror”, Nuzo holds a Law Degree and a Masters Degree in Writing, both from The University of Warwick, Warwickshire. Nuzo has been championing African Horror and has featured on multiple media platforms promoting this unique horror genre. She is the first African Horror writer to have featured on Starburst Magazine, the world's longest-running magazine of cult entertainment and science fiction. She has also made the front-cover of Paranormal Underground Magazine and features in the reference book, “80 Black Women in Horror” (2014). Her writing has also featured in multiple anthologies, including her recent contest-winning and Lovecraft-inspired African Cosmic horror story, Guardians, featured in the Asterisk Anthology Volume 2 (2018). Nuzo has written several blogs for Female First Magazine about African Horror and has been mentioned as one of the new voices in British horror writing making a positive impact on how black and minority races are portrayed in mainstream horror fiction. A keen musician, Nuzo plays both the piano and guitar and has her own self-publishing company, Canaan-Star publishing. Her book, The Reluctant Dead (2014), introduced modern African Horror into the mainstream Horror genre. Her other books include Unhallowed Graves (2015) The Sleepless (2016) and Dead Corpse (2017). Nuzo lives in Coventry and is a member of the Coventry Writing Group.

Sorcha Ni Fhlainn

Sorcha Ni Fhlainn Sorcha Ni Fhlainn is Senior Lecturer in Film Studies and American Studies, and a founding member of the Manchester centre for Gothic Studies at Manchester Metropolitan University. She has published widely on gothic and horror studies, including Clive Barker:Dark Imaginer(Manchester, 2017) and Postmodern Vampires: Film, Fiction, and Popular Culture (Palgrave, 2019). She is currently working on the long 1980s onscreen.

Karen Herland

Karen Herland Karen Herland fell in with a bad crowd with a taste for horror at a young age. Currently, her research focuses on the social and cultural construction and marginalization of bodies considered threatening or challenging to traditional norms. She is a Co-Director of Montreal’s Monstrum Society and sits on the Monstrum Journal’s editorial board. She has taught at the Miskatonic Institute of Horror Studies since 2012. Amongst her recent publications are “ ‘Always Hearing Voices, Never Hearing Mine’: Sound and Fury in The Snake Pit” in Recovering 1940s Horror Cinema (2014) and "Horror and the Last Frontier: Monstrous Borders and Bodies” in Firefly and Westworld." Joss Whedon vs. the Horror Tradition: The Production of Genre in Buffy and Beyond.(2019), A lecturer in popular/visual culture and sexuality studies at Concordia University, she has been involved in teaching their interdisciplinary course on HIV/AIDS for more than a decade and has served as the Director of the university’s HIV/AIDS Community Lecture Series.

Peter Bebergal

Peter Bebergal Peter Bebergal writes widely on the speculative and slightly fringe. His essays and reviews have appeared in NewYorker.com, The Times Literary Supplement, Boing Boing, The Believer, and The Quietus. He is the author of Strange Frequencies: The Extraordinary Story of the Technological Quest for the Supernatural; Season of the Witch: How the Occult Saved Rock and Roll; Too Much to Dream: A Psychedelic American Boyhood, and The Faith Between Us: A Jew and a Catholic Search for the Meaning of God (with Scott Korb). Bebergal studied religion and culture at Harvard Divinity School. He lives in Cambridge, Massachusetts.

Matt Ruff

Matt Ruff Matt Ruff was born in New York City in 1965. He is the award-winning author of six novels, including Fool on the Hill, Bad Monkeys, Set This House in Order, The Mirage, and Sewer, Gas & Electric. His most recent novel, Lovecraft Country, tells the story of two black families fighting both supernatural horrors and the more mundane terrors of racism in Jim Crow-era America. Lovecraft Country is being adapted as an HBO series by Jordan Peele, Misha Green, and J.J. Abrams. Author Photo by Lisa Gold.

Victor LaValle

Victor LaValle Victor LaValle is the author of seven works of fiction and one graphic novel. His most recent novel, The Changeling, won the World Fantasy Award and the British World Fantasy Award in 2018.. His novella, The Ballad of Black Tom, was a finalist for the Nebula, the Hugo, the World Fantasy Award and won a Shirley Jackson Award. He teaches creative writing at Columbia University and lives in New York City with his wife and children. Author photo by Teddy Wolff.

Jon Dieringer

Jon Dieringer Jon Dieringer is a writer, film programmer, and media art conservator. He's the founder of Screen Slate, a resource for listings and commentary of repertory, microcinema, and gallery screenings and exhibitions in New York City. At media arts nonprofit Electronic Arts Intermix (EAI), Dieringer oversees the preservation video art and experimental films. And as a programmer, he has worked most prolifically at daily Brooklyn microcinema Spectacle and additionally curated programs and series at 92YTribeca, Anthology Film Archives, the Film Society of Lincoln Center, The Lightbox Film Center, and the Museum of Arts and Design. Many of these artist-focused series have focused on correspondences between archives and obsolete or overlooked media, including horror-themed series "Industrial Terror" and "The Medium is the Massacre." He's also one of the regular rotating hosts of Alamo Brooklyn's Terror Tuesday/Weird Wednesday screenings.

John Skipp

John Skipp John Skipp is a Saturn Award-winning filmmaker (TALES OF HALLOWEEN), Stoker Award-winning anthologist (DEMONS, MONDO ZOMBIE), and New York Times bestselling author (THE LIGHT AT THE END, THE SCREAM) whose books have sold millions of copies in a dozen languages worldwide. His first anthology, BOOK OF THE DEAD, laid the foundation in 1989 for modern zombie literature. He's also editor-in-chief of Fungasm Press, championing genre-melting authors like Laura Lee Bahr, Autumn Christian, Danger Slater, Cody Goodfellow, and Devora Gray From splatterpunk founding father to bizarro elder statesman, Skipp has influenced a generation of horror and counterculture artists around the world. His latest book is THE ART OF HORRIBLE PEOPLE.

Howard S. Berger

Howard S. Berger Howard S. Berger is a screenwriter, editor, director,documentarian, historian and educator on all things cinema. He’s half creator (alongside Kevin Marr) of the “Destructible Man” blog – where individual films with dummy-deaths undergo close examination and deconstruction. Howard has also contributed to dozens of audio commentaries for Kino Lorber, Image, Synapse, Arrow and 101 Films as well as many interviews and articles to such magazines as Fangoria and European Trash Cinema. He was co-director of the cult feature, ORIGINAL SINS and the documentary A LIFE IN THE DEATH OF JOE MEEK. DESTRUCTIBLE MAN is currently being prepared as a feature documentary and video essay series.

Pete Walker

Pete Walker The son of musical comedy performer Syd Walker, Pete himself started as a stand-up in a Soho strip club. After acting in low-budget British programme-fillers, he set up his own company in the early 1960s, producing 8mm glamour films. Using the money from this highly lucrative enterprise, he graduated to 35mm feature production, making films like Strip Poker (1968) and Cool it Carol! (1970), which marked Robin Askwith's soft porn debut. Under his own 'Peter Walker (Heritage)' brand, he even experimented with 3-D technology, in The Four Dimensions of Greta and The Flesh and Blood Show (both 1972). Finding the 'adult film' genre repetitive, he moved to horror, although he preferred the term 'terror films' as he didn't feel any particular affinity for the genre, despite being aware of its potential. Exploring the themes of abuse of authority and the widening generation gap that he perceived in society, Walker's best films were scathing indictments of British institutions: in House of Whipcord (1973), a couple running a corrective prison torture the inmates, Frightmare (1974) saw a couple released from a mental institution luring people to their farm and murdering them, while The House of Mortal Sin (1975) depicted a Catholic priest terrorising a young girl). While most critics savaged the films, the Monthly Film Bulletin found more in them than just exploitation, comparing House of Whipcord to Michael Powell's psychological thriller Peeping Tom (1960). His only non-independent film was also his last: the Golan-Globus production House of the Long Shadows (1982), an adaptation of the classic Seven Keys to Baldpate, was a fitting final production, a nostalgia piece starring horror veterans Peter Cushing, Christopher Lee and Vincent Price. After abandoning film-making, Walker went into property development.

Douglas E. Winter

Douglas E. Winter is an award-winning author, editor, horror historian and the biographer of both Clive Barker and Stephen King. He is a member of the National Book Critics Circle, and has a parallel career as a lawyer specializing in aerospace, aviation and entertainment law.

Rodney Perkins

Rodney Perkins is a lawyer and writer who has been involved in the film and entertainment industry in various capacities for over a decade. Rodney has worked with film productions, film distributors, video game companies and other entertainment-related businesses. He is currently on the board of directors of the Miskatonic Institute of Horror. Rodney has held numerous positions at film festivals, including lead film programmer at Fantastic Fest and director of Fantastic Fest’s film market. Rodney’s website Dark Docs (darkdocs.net) is devoted to the outer edges of documentary film-making. Rodney is also the co-author of 'Cosmic Suicide: The Tragedy and Transcendence of Heaven’s Gate.' Rodney currently resides in Austin, Texas.

Ruthanna Emrys

Ruthanna Emrys Ruthanna Emrys is the author of the Innsmouth Legacy series, including Winter Tide and Deep Roots. She also co-writes Tor.com's Lovecraft Reread series with Anne M. Pillsworth, reviewing weird fiction from those who inspired Lovecraft to those reconstructing it today. She lives in a mysterious manor house on the outskirts of Washington, DC with her wife and their large, strange family. She makes home-made vanilla, gives unsolicited advice, and occasionally attempts to save the world.

Peter H. Cannon

Peter Cannon is a senior editor at Publishers Weekly, where he assigns and edits the reviews in the Mystery/Thriller category. He’s the author of H. P. Lovecraft, a critical study; Sunset Terrace Imagery in Lovecraft, an essay collection; The Chronology out of Time: Dates in the Fiction of H. P. Lovecraft; and Long Memories: Recollections of Frank Belknap Long, a memoir. He’s the editor of Lovecraft Remembered and the co-editor with S. T. Joshi of More Annotated Lovecraft. His fiction includes Pulptime, a novella in which Lovecraft meets Sherlock Holmes; Scream for Jeeves: A Parody, a mix of Lovecraft and Wodehouse; Forever Azathoth, a story collection; and The Lovecraft Chronicles, a novel in which Lovecraft dies in 1960 instead of 1937. He and his wife and three children live in New York City.

Lisa Petrucci

Lisa Petrucci Lisa Petrucci has been writing about Sixties sexploitation cinema since the early 1990s after seeing Doris Wishman's BAD GIRLS GO TO HELL and the Findlay’s THE SIN SYNDICATE on home video. From that time on she immersed herself in sin and skin flicks. Lisa met Something Weird Video's head honcho, Mike Vraney, in 1993, moved to Seattle, and began working at SWV as a graphic designer and film reviewer. Lisa and Mike became partners in life and business, running SWV as a team, each bringing their respective talents to the table. Together they helped make SWV one of the most beloved video labels, know for it’s bottom-of-the-barrel low budget film library with a punk rock attitude. Sadly, Mike passed away in January 2014 after a heroic battle with lung cancer. Lisa, determined to honor Mike’s hard work and legacy, has kept the flame alive by continuing to run the daily operations /mail order and by partnering with like-minded video companies and film archives like AGFA, Severin Films, Pop Cinema, Mondo Macabro, The Film Detective, and others to restore and release the Something Weird library on Blu-ray, theatrically, and streaming. Visit www.somethingweird.com and www.lisapetrucci.com for more information.

Penny Slinger

Penny Slinger Penny Slinger (b. 1947, London, UK) is a Los Angeles-based artist who has been exploring the connection between eroticism, mysticism, feminism, and art for over fifty years. Slinger mined surrealism in the 1960s and 1970s to plumb the depths of the feminine psyche and subconscious. She continues to work in many mediums including collage, photography, drawing, sculpture, and video. Penny Slinger graduated from Chelsea College of Art in 1969, with First class honors. She created her first book, 50%The Visible Woman and exhibited in Young and Fantastic at the Institute of Contemporary Art,1969, followed by solo exhibitions at the Angela Flowers Gallery, London. In 1971 Penny joined Jane Arden’s first all-woman theater troupe in England called Holocaust and performed in the film, The Other Side of the Underneath. During the 1970s Penny worked on the groundbreaking collage series, An Exorcism. It documents a woman's journey of self-discovery, set in a derelict mansion house. Penny then entered a period of Tantric surrealism and co-authored Sexual Secrets, The Alchemy of Ecstasy, The Secret Dakini Oracle and Mountain Ecstasy. After 15 years in the Caribbean, where she focused her art on the Indigenous Arawak people, she moved to northern California in 1994. She was recently asked to collaborate with Maria Grazia Chuiri in transforming the historic Dior salons for the 2019/20 Autumn Fall Haute Couture collection. Her work has been featured in major exhibitions and museums. She is currently represented by Blum and Poe Gallery (LA/New York/Tokyo), and Richard Saltoun Gallery (London). Photo by Dhiren Dasu

James Riley

James Riley James Riley is author of The Bad Trip: Dark Omens, New Worlds and the End of the Sixties (Icon Books, 2019), a cultural history of the late-1960s and early 1970s. He is Fellow of English Literature at Girton College, University of Cambridge where he works on modern and contemporary literature. Previous publications have included a multi-volume collection on the work of film-maker and novelist Peter Whitehead and his next book will be Playback Hex, a study of William Burroughs and the tape recorder. James has lectured on his work internationally and has performed spoken word shows in London, Vienna and Coney Island, New York. He has written for Vertigo, The i, Fortean Times, Monolith and blogs at Residual Noise.

Roger Luckhurst

Roger Luckhurst Roger Luckhurst is a British writer and academic. He is Professor in Modern and Contemporary Literature in the Department of English and Humanities at Birkbeck, University of London and was Distinguished Visiting Professor at Columbia University in 2016. He works on Victorian literature, contemporary literature, Gothic and weird fiction, trauma studies, and speculative/science fiction. Luckhurst is notable for his introductions and editorships to the Oxford World's Classics series volumes -- Late Victorian Gothic Tales, Dracula, Strange Case of Dr Jekyll and Mr Hyde, The Portrait of a Lady, H.P. Lovecraft's Classic Horror Tales, King Solomon’s Mines, and The Time Machine -- and for his books on J. G. Ballard (1997), The Invention of Telepathy (2002), Science Fiction (2005) The Trauma Question (2008), The Mummy’s Curse: The True Story of a Dark Fantasy (Oxford University Press, 2012), and Zombies: A Cultural History (Reaktion Press, 2015). He has also written two books for the British Film Institute classic film series on The Shining and Alien. Luckhurst has written pieces for The Guardian and features for the film journal Sight and Sound and wrote and presented the BBC Radio 4 documentary about mummy curses in 2012. He has been an occasional film reviewer and commentator for the radio programmes Front Row and Free Thinking.

Laura Mee

Laura Mee Dr Laura Mee is a Senior Lecturer in Film and Television at the University of Hertfordshire, UK. Her research focuses on horror, adaptation, and seriality. She is the author of Reanimated: The Contemporary American Horror Film Remake (Edinburgh University Press, forthcoming) and Devil’s Advocates: The Shining (Auteur, 2017). She has published in journals and collections on topics including rape-revenge remakes, the critical reception of horror remakes, Room 237 and cinephilia, American Psycho and gender, and James Wan’s horror franchises.

Abraham Castillo Flores

Abraham Castillo Flores Abraham Castillo Flores has been Head Programmer at Mexico's Morbido Fest since 2010, where he curates and presents exotic and outrageous films to audiences hungry for intense emotions. A Mexican offspring of the 1970s obsessed with the power and paradoxical beauty of genre stories imprinted onto celluloid and pixels. Graduated with honors from the School of Visual Arts, NYC with more than 20 years experience in the film industry and academia. Abraham currently lives in Mexico City where he dedicates his every breath to the promotion, restructuring, study and presentation of genre films.

Gary Sherman

Gary Sherman A writer, producer and director, currently in post-production of his latest film, 39: A Film by Carroll McKane, has a long list of feature film credits including such horror classics as Death Line (aka Raw Meat), Dead and Buried, Poltergeist III and the highly successful, innovative action thriller Vice Squad. He has also created and/or produced many television series including Sable (based on the Mike Grell comic book), Missing Persons and Poltergeist: The Legacy. Aside from his known creative abilities, he has run several successful production companies and holds patents on some hi-tech systems he has invented. A self-confessed technophile, he has been “possessed” by computers and new media since his first “516K word-cruncher” back in the Dark Ages.

Karen Arthur

Karen Arthur Karen Arthur is an American film director, producer, and actress. She has directed the feature films Legacy (1975), The Mafu Cage (1978) and Lady Beware (1987), but the majority of her work has been in television, where she has had a long and prolific career directing television films and series, including a Primetime Emmy Award for Outstanding Directing in a Drama Series (for an episode of Cagney & Lacey).

Dean Cameron

Dean Cameron Though Dean Cameron is best known for his role as Francis "Chainsaw" Gremp in the Carl Reiner movie "Summer School" he continues to reinvent himself by exploring varied careers and experiences. While studying acting with Peggy Feury and Bill Traylor at the Loft Studio in the early 80's, he landed a few guest star roles on television shows like "Facts of Life" resulting in his first regular role on the television series "Spencer" with Chad Lowe. The next year, he recreated Jeff Spicoli", the role made famous by Sean Penn, in the television version of "Fast Times at Ridgemont High." Thankfully, it only lasted seven episodes but he escaped unscathed, having received excellent reviews for undertaking the daunting task. Dean has appeared in over 50 movies, television programs, stage plays and short films. including "Sleep With Me", "Hi-Life", "Men at Work", "Bad Dreams", "Highball", "Rockula" plus the late-night cable staples "Ski School I & II" and "Miracle Beach". On television, Dean starred, with his Ski School co-star, Stuart Fratkin, in one of the few one hour comedies, “They Came From Outer Space” and a fever dream of a recurring boyfriend/mime role on “ALF.” He continued his active involvement in Los Angeles theater, performing, writing and directing plays you’ve never heard of and studying in Howard Fine’s master class. After co-writing & starring in a feature film, Hollywood Palms, Dean began working as a front end web developer for companies exactly like LegalZoom, TicketMaster, j2 and a couple of shady outfits best not mentioned. It wasn’t until 2012, when he was nudged “out of retirement” by a very wise agent and manager, that Dean began working as an actor enough to happily stop writing code. Since 2013, Dean has appeared in the television programs The Mentalist, Southland, See Dad Run, American Horror Story, The Neighbors, Glee!, The Newsroom, Shameless, NCIS, Jennifer Falls, How to Get Away with Murder, a role written just for him on Psych and the season 11 madness of It’s Always Sunny in Philadelphia, Masters of Sex and Alex Inc. Recent Feature films include “Confessions of a Teenaged Disciple”, “The Waiting”, “Straight Outta Compton” and more. He married film editor, Jessie Marion, early 2004. They have a son, Duncan Huxley Cameron, who was born August, 2009.

Gillian Wallace Horvat

Gillian Wallace Horvat Gillian Wallace Horvat is a Los Angeles-based filmmaker, writer and film programmer. Her first short film, GUNPLAY, was a 2007 Wasserman Semi-Finalist and the only film to ever receive a disclaimer for graphic content at Tisch's First Run Film Festival. KISS KISS FINGERBANG, starring Anton Yelchin, Kate Lyn Sheil and Buck Henry was awarded the Jury Prize in its short category at the 2015 South by Southwest Film Festival, premiering online as a Vimeo Staff Pick. Miriam Bale wrote in Indiewire that Gillian was one of “the most exciting American indie filmmakers I can think of.” Her films have screened in festivals around the world including SXSW, Fantasia, Palm Springs International Short Film Festival, Beyond Fest, Maryland Film Festival, Yale University, and many others. Gillian also produced A FULLER LIFE, a documentary on the life and films of director Samuel Fuller that premiered at the 2013 Venice Film Festival. For the past five years she has been producing documentary shorts for Arrow Films, Kino Lorber and Olive Films, working on projects ranging from an AMERICAN NINJA box set to Orson Welles' MACBETH. She is also a guest columnist for Filmmaker magazine and her writing has appeared in Sight & Sound.

Joe Dante

Joe Dante Joe Dante began his filmmaking apprenticeship in 1974 as trailer editor for Roger Corman’s New World Pictures. He made his directorial debut in 1976 with Hollywood Boulevard (co-directed with Allan Arkush), and his solo debut as a director with Piranha in 1977. During his tenure at New World, Dante edited Ron Howard’s directorial debut Grand Theft Auto and co-wrote the original story for Rock n Roll High School. For Avco-Embassy Dante next directed the seminal werewolf thriller The Howling (1981), followed by the It’s a Good Life segment of the episodic Twilight Zone: The Movie (1983). Having worked with Steven Spielberg on the latter, Dante was chosen to helm the first Amblin Production for Warner Bros., Gremlins (1984). Dante followed up with Explorers, Innerspace (1987), The ‘Burbs (1989), Gremlins 2: The New Batch (1990), and Matinee (1993) featuring John Goodman as a huckster showman premiering his new horror film during the Cuban Missile Crisis. Dreamworks/Universal’s Small Soldiers was released in 1998, followed in 2003 by Warner Bros. Looney Tunes: Back in Action featuring one of Dante’s favorite actors, Bugs Bunny. Along the way Dante contributed several comedy segments to the multi-part Amazon Women on the Moon (1987) spoof produced by John Landis, and directed various episodes of the tv series Amazing Stories, Twilight Zone, Police Squad!, Eerie, Indiana and more. Dante’s Homecoming, an episode of Showtime’s Masters of Horror series, debuted in December 2005 to rave reviews; The New Yorker called it the best political film of 2005. In 2007, Dante began producing the innovative new media series Trailers from Hell, which features contemporary filmmakers providing commentaries about films that influenced them, and the site has blossomed into a popular podcast, The Movies That Made Me. He has been honored with many retrospectives and career achievement awards by film festivals, cinematheques and museums in the US and internationally.

Sara Karloff

Sara Karloff Sara Karloff was born on her father’s 51st birthday, November 23, 1938. Boris Karloff was filming Son of Frankenstein at the time. Sara jokes that she was “his most expensive birthday present ever.” Ms. Karloff is widowed, has 2 grown sons and 3 grandchildren. She has lived in Rancho Mirage, CA since 1981. In 1993, following the death of her step-mother, Evelyn Karloff, Sara assumed the responsibility for the persona and licensing rights relating to her famous father and formed Karloff Enterprises. The company’s goal is to maintain a standard of excellence and appropriateness when the name or likeness of her father is used. Sara met Ron Chaney (great-grandson of Lon Chaney Sr. and grandson of Lon Chaney Jr.) and Bela Lugosi Jr. (son of Bela Lugosi) for the first time in 1993 at a Famous Monsters of Filmland convention. As a result of that meeting a very special alliance was formed.Although initiated by Ron Chaney, Ms. Karloff spear-headed a three-year effort to have their respective famous relatives immortalized in a series of commemorative United States Postage Stamps. Petitions were circulated all over the country, and with the help of the Screen Actors Guild, the media, innumerable genre magazines, and thousands of fans worldwide, more than 17,000 signatures were collected in support of this project. It was the legions of fans who made this effort a reality. Sara continues to attend conventions around the world speaking about her iconic father and his remarkable legacy.

Mallory O'Meara

Mallory O'Meara Mallory O’Meara is the bestselling author of The Lady from the Black Lagoon, along with being a screenwriter and film producer. Whether it’s for the screen or the page, Mallory seeks creative projects filled with horror and monsters. Every week, she hosts the literary podcast Reading Glasses. She lives in Los Angeles.You can follow Mallory on Twitter @malloryomeara or visit her website malloryomeara.com.

C. Courtney Joyner

C. Courtney Joyner C. Courtney Joyner is a novelist, journalist and screenwriter whose first major output was a string of more than 25 movie screenplays beginning with The Offspring (AKA From a Whisper to a Scream) starring Vincent Price, and Prison, directed by Renny Harlin, and continuing in the '90s with Class of 1999, the CBS telefilm Distant Cousins, and Full Moon features like Dr. Mordrid, Trancers III, and H.P. Lovecraft's The Lurking Fear, the latter two of which he also directed. A film historian, Joyner’s articles and criticisms have appeared in more than twenty different publications, ranging from The Hollywood Reporter, Famous Monsters of Filmland to True West, where he served as Film and TV editor for three years. His critically acclaimed film book, The Westerners has been followed by contributions to biographies of John Wayne and Lon Chaney, and histories of horror and western movies. His two latest filmbooks, Unsung Heroes and Warner Brothers Fantastic will be published in 2020. In the world of fiction, Joyner is an award-winning author of short stories and novelist, many of them Westerns, having created the Shotgun mass market paperback series for Pinnacle Books. He is also the author of the sequel to 20,000 Leagues Under the Sea, Nemo Rising (2018), which has recently been adapted as a boardgame. Website: ccjoyner.com

Steven Williams

Steven Williams Steven Williams was born in Memphis Tennesse and raised in Chicago Steven is a consummate actor who is well known as Capt. Adam Fuller on the Series '21 Jump Street', as well as his brilliant and mysterious portrayal of Mr. X on "The X Files and Rufus Turner on the CW series "Supernatural". Steven played an intriguing and mysterious character in a large recurring role on Season 2 of the HBO series "The Leftovers" opposite Regina King and Justin Theroux. Steven can seen as the menacing Quentin Dickinson on the compelling new Showtime series “The Chi” from Emmy award winning writer Lena Waithe. He will also be recurring on the Paramount Network, Linson Entertainment series “Yellowstone” opposite Kevin Costner in their upcoming second season as well as the Netflix series “Locke and Key” from Carlton Cuse, Joe Hill and Aron Eli Coleite. Steven is also featured in the blockbuster New Line horror film “IT” based on a Stephen King story. Some of his feature film credits include the stoic role of "Trooper Mount" in the classic comedy "The Blues Brothers" for Director John Landis opposite John Candy and Corrina Corrina with Whoopie Goldberg. Other feature credits "Missing in Action 2", "Jason Goes to Hell: The Final Friday". Steven played Lord Stanley in a film version of Richard III with David Carradine, 'Mr. Gamba' in the Depression era "Kings of the Evenings", 'Special ops: Delta Force, and the classic film "Coolie High". More recently his feature credits include "The Call" with Halle Berry and "The Last Curtain Call" with David Proval. Some of Steven's previous Television credits include the lead role in the Showtime series 'Lincs", The Equalizer for CBS and Detective August Brooks in" L.A. Heat" . His countless guest roles include “Chicago PD”, "Bones", “iZombie”, "Criminal Minds", "Monk", Desperate Housewives", Veronica Mars", The Dukes of Hazzards", "The A team", "Booker", "McGyver", 'Stargate: SG1", 'Martin", Wide Guy, Hill Street blues, LA Law, NYPD Blue and "The Bernie Mac Show"

Jimmy McDonough

Jimmy McDonough Jimmy McDonough is a biographer and journalist. He has written definitive books on Al Green, Neil Young, Tammy Wynette, Russ Meyer and Andy Milligan. TIME magazine declared his newly-reissued Milligan biography The Ghastly One “a masterpiece” and John Waters repeatedly names it one of his all-time favorites. Currently he is working on his years-in-the-making biography The Exotic Ones: Heaven, Hell and the Ormonds. He is Editor-In-Chief of byNWR.com.

Caelum Vatnsdal

Caelum Vatnsdal From his cradle days in the great northern city of Winnipeg, Caelum Vatnsdal has lived and breathed the cinematic arts, with an especial love for the horror genre. Since then he has made short films, feature films, documentaries, music videos and more, and has worked also as a writer, producer, camera assistant, set decorator, special effects artist and actor. Vatnsdal began his professional life working on the films of Guy Maddin, starting with the colour feature Careful, on which he toiled in the art department, the camera department, and as an actor. (He continued acting for Maddin through to the director’s famous production The Heart of the World in 2000.) In 1994 he directed his first feature film, Black as Hell, Strong as Death, Sweet as Love, and through the 2000s, Vatnsdal busied himself making mostly documentary productions, including a large-scale documentary on Bigfoot for the Canadian Television Network. He has written three books on film - a monograph on the works of Guy Maddin in 2000, a history of Canadian horror films, titled They Came From Within, in 2004 and a biography of the actor Dick Miller called You Don’t Know Me, But You Love Me in 2018. He lives in Winnipeg with his wife and son.

Matt Green

Matt Green Matt passionately believes that literature and related arts make considerable contributions to our communities and he is especially interested in the ways in which the works and ideas of the past not only underpin much of what we do and think, but also can yield fresh insight regarding contemporary issues. His research thus considers the intersection of literature, art and critical theory from the eighteenth century through to the present day, with a particular emphasis on the works Gothic writers and artists working across a range of media. He has published widely on Alan Moore and the Gothic, with a particular emphasis on Moore’s engagement with HP Lovecraft.

Kate Robertson

Kate Robertson Kate Robertson is an Australian writer and academic based in New York. She writes about art, film and culture for a range of publications, including Senses of Cinema, The Atlantic, i-D, Vice, and Complex. Her first book, Identity, Community & Australian Artists, 1890-1914 Paris, London and Further Afield came out late-2019 with Bloomsbury Academic and her second, Trouble Every Day, is due out with Auteur in 2020. She is an affiliate of the University of Sydney, Australia, where she completed her dissertation and taught for several years.

Jeff Barnaby

Jeff Barnaby Jeff Barnaby was born on a Mi’gmaq reserve in Listujug, Quebec. He has worked as an artist, poet, author and filmmaker. His work uses unsettling elements of the horror and sci-fi genres to paint a stark and scathing portrait of post-colonial aboriginal life and culture. His short films File Under Miscellaneous (2010), From Cherry English (2004) and The Colony (2007) led to his two feature films, Rhymes for Young Ghouls (2014) and Blood Quantum (2019).

Andi Harriman

Andi Harriman Andi Harriman is a writer and DJ living in New York City with an emphasis on all things dark and Eighties-centric. She is the author of the book Some Wear Leather, Some Wear Lace: The Worldwide Compendium of Postpunk and Goth in the 1980s and her writing has appeared in Red Bull Music Academy, Dazed, Noisey, Bandcamp Daily, Electronic Beats and LA Weekly, to name a few, while acting as contributing editor to Post-Punk.com. Harriman was published in Leipzig in Schwarz: 25 Jahre Wave-Gotik-Treffen and wrote the foreword for the book Gothic Romandie 1985-1995: La Décennie Noire. She lectures regularly about the goth subculture and has appeared at Morbid Anatomy Museum, New York University and Wave Gotik Treffen in Leipzig, Germany. Her endeavors have been featured in Time Out New York, the Village Voice, Refinery 29, and Red Bull Music Academy Radio. Additionally, she runs the dark electronic party and label Synthicide.

Kali Simmons

Kali Simmons Kali Simmons (Oglala Lakota) is a Ph.D. candidate at the University of California, Riverside. She has taught classes on Indigenous film and media and her research explores the history of Indigenous representation in American and Canadian horror films. Her work on Indigenous media practices has been published in the Journal of Cinema and Media Studies.

Alanna Thain

Alanna Thain Alanna Thain teaches cultural studies and world cinemas, and also directs the Moving Image Research Laboratory (mirl.lab.mcgill.ca) at McGill University, where at least part of HAPPY BIRTHDAY TO ME (1981) was filmed (most of the film was filmed at Concordia University). She would like to confirm that she is still recovering from watching that film while unsupervised at a very young age, and is still waiting to be able to watch it again. Her horror specialty is the work of David Lynch. She also runs a bike powered mobile cinema project, Cinema out of the Box, and collaborated with the Volatile Den for a cemetery screening last summer (https://www.facebook.com/mobilecinemamontreal).

Anne Golden

Anne Golden Anne Golden is on the Creative Arts faculty of John Abbott College, and is Artistic Director of Groupe Intervention Video, an artist-run distribution, exhibition and production centre for videos directed by women. She is an independent curator and writer whose programs include Horizontal Holds/Vertical Views: Recent Canadian Art Video (Musée National du Québec, 2001) and Seuils/Thresholds (Edges Festival, Victoria, 2006). She has also curated programs for Vtape (Toronto) and Centre for Art Tapes (Halifax). Golden has made 12 videos since 1991. Among these are FAT CHANCE (1994), BIG GIRL TOWN (1998), SOMME (2005) and FROM THE ARCHIVES OF VIDÉO POPULAIRE (2007).

Annaëlle Winand

Annaëlle Winand Annaëlle is a PhD student at l'Université de Montréal and film programmer at the Montreal Underground Film Festival. She grew up in Belgium where she studied history and archival science all while developing a passion for horror, surrealist and experimental cinema. She has written about horror for different Belgian and French websites and magazines (KWEB, SINOK, DESPERATEZOMBIE). Her research now focuses on the use of archives in experimental found footage films.

Ayanna Dozier

Ayanna Dozier Ayanna Dozier is a first year doctoral student in the department of Art History and Communication Studies at McGill University. Prior to beginning her doctoral studies at McGill, she obtained her undergraduate degree in Art History and French at Chapman University and her graduate degree at New York University in the department of Media, Culture, and Communication. Ayanna first encountered horror during her formative years through the work of Stephen King when she saw the television two-part movie It at the age of four, followed by Misery at age five and Carrie at age seven. Horror, for Ayanna, offers generous explorations of viewing and experiencing queerness, as performed through bodily difference, on screen. She actively seeks to incorporate the genre in her research on any level all while negotiating her still prevalent and persistent nightmares of Pennywise; on a completely unrelated note, she posses a mild, not disruptive, case of coulrophobia. She currently resides in Montréal.

Bernard Perron

Bernard Perron Bernard Perron est professeur titulaire au département d'histoire de l'art et d'études cinématographiques à l'Université de Montréal. Fan d'horreur, il aime bien jouer à se faire peur en lisant des romans et des bandes dessinées, regardant des films et s'immergeant dans des jeux vidéo. Il a entre autres dirigé l'ouvrage HORROR VIDEO GAME: ESSAYS ON THE FUSION OF FEAR AND PLAY (2009), et écrit SILENT HILL: THE TERROR ENGINE (2012, version française en 2016) ainsi que THE WORLD OF SCARY VIDEO GAMES: A STUDY IN VIDEOLUDIC HORROR (2018). / Bernard Perron, a professor of art history and cinema at Université de Montréal, is a leading scholar of horror video games and interactive cinema. His books include the edited collection, HORROR VIDEO GAME: ESSAYS ON THE FUSION OF FEAR AND PLAY (2009), as well as SILENT HILL: THE TERROR ENGINE (2012, version français en 2016), and the upcoming WORLD OF SCARY VIDEO GAMES: A STUDY IN VIDEOLUDIC HORROR (2018).

Carl Sederholm

Carl Sederholm Carl Sederholm is Associate Professor of Humanities at Brigham Young University in Provo, Utah. His publications include, "What Screams Are Made of: Representing Cosmic Fear in H.P. Lovecraft's 'Pickman's Model'" (2006), and the books, POE, "THE HOUSE OF USHER" AND THE AMERICAN GOTHIC (2009) and ADAPTING POE (both with Dennis Perry).

Charlie Ellbé

Charlie Ellbé Charlie is a recent graduate from the M. A. Film Studies program at Concordia University. She is now Coordinator of the Moving Image at the Concordia Visual Media Resources. In the summer of 2010, Charlie received a travel fund to go to the USC and Margaret Herrick Library archives to research her Master's thesis. With access to original documentation from the Hollywood studios and personal writings from art directors of the classical studio era, Charlie was able to complete her thesis on art direction in Universal Studios' horror films of the 1930s with original research. Last summer, she served on the jury of the Montreal Underground Film Festival. She is currently co-editing an anthology of essays on 1940s horror films with Kristopher Woofter and Mario DeGiglio-Bellemare.

Chris Alexander

Chris Alexander Chris Alexander has spent his life eating, sleeping and breathing movies, breaking only to obsess over music. He is the editor-in-chief of FANGORIA magazine, has released several collections of his own music, has written a book about movies he loves, and his first feature film - which he wrote, directed, co-shot, edited, composed the music, handled FX and even catered - BLOOD FOR IRINA will be released via Autonomy Pictures later this year. Visit Chris at www.chris-alexander.ca.

Chris Whittaker

Chris Whittaker Chris Whittaker is a physics teacher and Coordinator of the Science Program at Dawson College. He has a Masters Degree in Engineering Physics from Queen’s University where he specialized in aeronautics and nuclear engineering. At Dawson, he created a course for non-science students that explores a variety of topics in physics through movies and TV shows. Before his teaching career, Chris also completed a Masters Degree in Social Work and worked for several years in emergency mental health, with at-risk-youth and as an intake worker at a CLSC. Along the way he also managed to do two radio documentaries for the CBC Radio One program Ideas, including one on how size matters in engineering, biology and the movies.

Cory Legassic

Cory Legassic Cory Legassic is a faculty member of the Humanities and Sociology Departments at Dawson College, Montréal, Québec, where he teaches courses on Social Movements, Social Justice Education, Anti-Racism, Media and Feminist Masculinities. His article “Reasonable Accommodation as a Settling Concept” was published in The Canadian Women’s Studies Journal in their special issue on Women and Canadian Multiculturalism (2010). An article on horror icon Rondo Hatton and the politics of disfigurement in forties horror is forthcoming.

David Austin

David Austin David Austin is the author of FEAR OF A BLACK NATION: RACE, SEX, AND SECURITY IN SIXTIES MONTREAL (2013), winner of the 2014 Casa de las Americas Prize. He has also produced radio documentaries for CBC's IDEAS on the life and work of C.L.R. James (THE BLACK JACOBIN, 2004) and Frantz Fanon (THE WRETCHED OF THE EARTH, 2006) and he currently teaches in the Department of Humanities, Philosophy and Religion at John Abbott College.

Dru Jeffries

Dru Jeffries Dru Jeffries has a PhD in Film and Moving Image Studies from Concordia University, with a MA in Cinema Studies from the University of Toronto. His work on the intersections between comics and cinema can be read in QUARTERLY REVIEW OF FILM AND VIDEO 31.1, CINEACTION 77, as well as his dissertation (2014).

Ellen Freeman

Ellen Freeman Ellen Freeman was scared-to-death by Kubrick’s The Shining at the age of 10. Ever since, she has challenged herself with thrilling film and literature in an attempt to wipe away the horrors of Jack Torrance’s mental breakdown, while also pursuing an identical fright. She is an MA student at Concordia University where she continues to educate herself on the psychological and sociological functions of horror audiences like herself. Currently, Freeman's research focuses on horror-fan receptions of cult, shock and exploitation cinema.

Éric Falardeau

Éric Falardeau Éric Falardeau holds a Master’s degree in Film Studies from the Université de Montréal. His short films have been screened at festivals from around the world (France, Spain, Italy, Slovakia, Germany, South Africa, UK, USA, Brazil and Canada); attracting new fans and critical acclaim along the way. In 2011, his first animated film Crépuscule won a special mention “For its bold address of sexuality in animation” at the international FanTasia Film Festival (Montreal, Canada). Thanatomorphose is his first full-length feature. He is the guest curator for the new exhibition, "Secrets and Illusions - The Magic of Special Effects" (Cinémathèque québécoise). Éric Falardeau est titulaire d’une maîtrise en études cinématographiques obtenue à l’Université de Montréal. Il est auteur, conférencier, enseignant et archiviste. Il a réalisé des courts-métrages qui ont été projetés dans de nombreux festivals internationaux où ils ont remporté plusieurs prix. Crépuscule est son premier film d’animation. Thanatomorphose, (2012) est son premier long-métrage. Il est le commissaire invité de l’exposition permanente « Secrets et Illusions – la magie des effets spéciaux » (Cinémathèque québécoise).

J. Shea

J. Shea J. Shea teaches in the Department of English at Dawson College in Montreal. Years before becoming a Shakespearean and receiving a PhD in English from McGill University, J. was weaned on low-budget horror films broadcast on local Chicago television.

Lateef Martin

Lateef Martin Lateef Martin is the founder of transmedia company Miscellaneum Studios. He is also illustrator and co-writer of their first project: Seven years after a zombie apocalypse, Montréal must adapt to a world full of the undead. Welcome to the world of Z’ISLE. It is a comic-centered transmedia property that includes a comic book series and video game (under development). Each stand alone, but tell a greater story in combination. This format and the world itself welcomes the audience as co-creators of the locations, characters, and history. Z’ISLE is currently on issue four of nine of Volume one.

Mario DeGiglio-Bellemare

Mario DeGiglio-Bellemare Born in Montreal, Mario is a “monster kid” who teaches courses on genre cinema, grotesque traditions, and monster ethics in the Humanities department of John Abbott College. He began to watch monster movies at the age of 9, staying up to watch Hammer films on late-night television. He has been an independent filmmaker all his life beginning with his first super-8 film, ONE DARK NIGHT, which he shot in his parents's back yard. His films combine a love of silent cinema, “exploitation films,” the horror genre, and attractions-based sensibilities. He is also a programmer and coordinator at the Montreal Underground Film Festival. He completed his PhD at the University of Toronto, and is presently finishing a book linked to the history of the Parisian Grand-Guignol theatre, entitled SINISTER TABLEAUX: GRAND-GUIGNOL CINEMA, CORPOREALITY AND THE SENSES. He has published articles on the Grand-Guignol and cinema in the journal HORROR STUDIES (5.1), and in the book, RECOVERING 1940s HORROR: TRACES OF A LOST DECADE (2015), for which he is a co-editor. He is also publishing an article on Jean Rollin for the book, GLOBAL FEAR: INTERNATIONAL HORROR DIRECTORS (Intellect Press, 2016). He is an occasional writer for the Canadian horror genre magazine RUE-MORGUE.

Maude Michaud

Maude Michaud is a Montreal-based writer-director who specializes in genre entertainment. Her debut feature film DYS- World Premiered in July 2014 at the Fantasia International Film Festival where it won the Audience Award for Best Canadian Feature. Her body of work includes over a dozen critically acclaimed short films which have toured the international festival circuit. She recently obtained her Master’s degree in Media Studies at Concordia University. She also created a documentary web series about the women in horror movement which served as a basis for her thesis project: “Horror Grrrls: Resistance and Agency within the Interpretive Community of Women Horror Filmmakers”.

Maxime Coulombe

Maxime Coulombe Maxime Coulombe est sociologue et historien de l'art. Il travaille sur le rapport à l'image dans les sociétés occidentales. Il a notamment publié aux Presses universitaires de France : Le monde sans fin des jeux vidéo, PUF, 2010, et Petite philosophie du zombie, PUF 2012. Il termine actuellement un ouvrage portant sur la peur de la ressemblance en histoire de l'art, à paraître en 2015.

Melanie Ashe

Melanie Ashe Melanie Ashe is currently undertaking her Masters in Film Studies at Concordia University, where she has been doing research in environmental film industries, superheroes and pop culture. Growing up in Australia, she developed a fascination with Australian cinema and storytelling, and a love of Oz-Horror films. She has published articles in Reinvention journal, written for online journals Peephole and Screen Machine, and experiments in playful video-criticism (https://vimeo.com/215423385). In a previous life, she volunteered at ACMI (Australian Centre for the Moving Image) teaching kids how to make a horror movie in 3 days.

Michael Wood

Michael Wood A graduate of the McGill Institute of Islamic Studies (2004), where he focused on the history and politics of Indonesia, Dr. Michael Wood is a full time faculty member in the Department of Humanities, Dawson College. His current research interests include the use and misuse of historical themes and symbols for purposes of nation building, regime legitimization and national branding in Indonesia and the Balkans. Additionally, he has a background in archaeology, having been involved in the excavations of a Roman bathhouse at Tel Dor, Israel, a Mayan palace at Cahel Pech, Belize and the Iron Age fortifications of Tell Jawa, Jordan. He has been interested in pseudo-archaeology, popular misconceptions of the past involving lost civilizations and ancient aliens, since the original broadcasts of the show In Search of in the late 1970’s. He has also held a long interest in the fantasy and horror works of Robert E, Howard, the creator of Conan and has presented on both of these subjects at the Miskatonic Institute. His publications include Official History in Modern Indonesia: New Order Perceptions and Counterviews (2005) and “Indonesian Nationalism” In Nations and Nationalism in Global Perspective: An Encyclopedia of Origins, Development and Contemporary Transitions (2008) and “Archaeology, National Histories and National Borders in Southeast Asia.” In The Borderlands of Southeast Asia: Geopolitics, Terrorism and Globalization (2011).

Ned Schantz

Ned Schantz Ned Schantz is a professor in the Department of English at McGill University, where he teaches courses on Hitchcock, horror, and the uncanny. His work on Hitchcock can be found in the journal CAMERA OBSCURA (2010) and in his book GOSSIP, LETTERS, PHONES: THE SCANDAL OF FEMALE NETWORKS IN FILM AND LITERATURE (Oxford 2008). His article on reenactment and GRIZZLY MAN appeared in the Fall 2013 issue of CRITICISM.

Papagena Robbins

Papagena Robbins Originally from San Francisco, California, Papagena is currently finishing up her dissertation in the Film and Moving Image Studies Doctoral program at Concordia University, where she teaches non-fiction film, writing, and film history. Her research looks to the baroque critical methodologies of recent archive-based city films to shed light on new/old uses of the moving image archive to cultivate historical consciousness as opposed to historical narrative. She also curates special programs of formally challenging documentaries for the Sebastopol Documentary Film Festival in California, and is editing two up-coming special issues of the online, peer-review, film journal, SYNOPTIQUE: one on film festival networks, and another on the moving image archive in the 21st century. In 2012, Papagena and Miskatonic co-director, Kristopher Woofter co-wrote and published, “Gothumentary: The Gothic Unsettling of Documentary’s Rhetoric of Rationality” in the Italian literary journal Textus, an experience that remains one of her most satisfying intellectual collaborations to date.

Philip L. Simpson

Philip L. Simpson Philip L. Simpson received his bachelor’s and master’s degrees in English from Eastern Illinois University in 1986 and 1989, respectively, and his doctorate in American Literature from Southern Illinois University in 1996. He serves as Provost of the Titusville Campus of Brevard Community College in Florida. Before that, he was a professor of Communications and Humanities at the Palm Bay campus of Brevard Community College for eight years and Department Chair of Liberal Arts for five years. He also served as President of the Popular Culture Association and Area Chair of Horror for the Association. He received the Association’s Felicia Campbell Area Chair Award in 2006. He currently serves as Area Co-Chair of the Stephen King Area and the Vampire Area for the Association and sits on the editorial board of the Journal of Popular Culture. His first book, Psycho Paths: Tracking the Serial Killer through Contemporary American Film and Fiction, was published in 2000 by Southern Illinois University Press; his second book, Making Murder: The Fiction of Thomas Harris, was published in 2010 by Praeger Press. He is the author of numerous other published essays on film, literature, popular culture, and horror.

Pradeep Pillai

Pradeep Pillai Pradeep Pillai is a research scientist and theoretician working in evolutionary ecology. He divides his time between Boston and Montreal

Rosanna Maule

Rosanna Maule Rosanna Maule is Associate Professor of Film Studies at Concordia University, Montreal. She is the author of DIGITAL PLATFORMS AND FEMINIST FILM DISCOURSE: WOMEN'S CINEMA 2.0 (Palgrave, 2016), BEYOND AUTEURISM (Intellect, 2008), and the main editor of In the DARK ROOM: MARGUERITE DURAS AND CINEMA (Peter Lang, 2009). With Guylaine Dionne she has just completed a feature documentary film on the role of women directors in fiction film-making around the world. She has been a member of the research team GRAFICS since 2002 and she is an active member of the Women and Film History International association and of the Women’s Cinema Global network, with which she has been directing two international conferences in Montreal in 2003 and 2016, respectively.

Shalon Noble

Shalon Noble Shalon Noble loves all things gothic. She holds a Ph.D. from Western University and teaches in the English department at Dawson College in Montréal. She studies and teaches Romanticism, ecocriticism, and theory, and her article about John Clare’s asylum poetry is forthcoming. Her current research is on the nature in and of Frankenstein.

Ursula Misztal

Ursula Misztal After moving to Montreal in 1996, Ursula finished a Master's Degree at the Centre for the Study of Theory and Criticism in London, Ontario. She has been busy ever since trying to master the art of teaching while working as a Literature instructor at Dawson College. Favourite courses include Feminism and Philosophy (New School), Utopia/Dystopia, Literature and Culture (Creative Arts Language and Literature program). The intersection between literature and science has become a recent interest.

Donato Totaro

Donato Totaro received his PhD in Film & Television from the University of Warwick (UK) and has been a Film Studies lecturer at Concordia University (Montreal, Canada) since 1990. Totaro has been the editor of the online film journal Offscreen since its inception in 1997 and member of AQCC “Association québécoise des critiques de cinéma” since 2004. Totaro has published extensively on horror cinema, including articles/essays in Cult TV (2010), 100 European Horror Films (2007), The Cinema of Japan and Korea (2004), Fear Without Frontiers (2003), Eaten Alive!: Italian Cannibal and Zombie Movies, and magazines The Dark Side and Fangoria.

Candis Steenbergen

Candis cut her horror teeth at an early age, sneaking scary books off her dad’s bookshelf and reading by flashlight late into the night. She graduated to slasher films, B-movies and creature-features shortly thereafter. She received her PhD in Interdisciplinary Humanities from Concordia in 2009, and has been a lecturer at the Simone de Beauvoir Institute of Women’s Studies since 2002, teaching classes on feminism and popular culture, girls and girlhoods, deviant bodies, postfeminism and marxist analysis. She also teaches courses revolving around issues of representation, power and the media in the Humanities department at John Abbott College.

Simon Laperrière

Simon Laperrière est programmateur pour le Festival Fantasia depuis 2007. Titulaire d’un baccalauréat en littérature comparée et études cinématographiques, il rédige actuellement un mémoire de maîtrise traitant du mythe des snuff movies. En plus d’avoir récemment participé à plusieurs colloques, il a été publié chez Hors Champ, 24 Images, Offscreen et Twitch Film et a, au cours des années, terrorisé plusieurs stations de radio universitaire. Depuis 2010, il dirige à Fantasia « Camera Lucida », une section vouée aux cinémas de genres iconoclaste. Ses intérêts incluent le cinéma contemporain, la littérature ergodique, la fiction-férale et, bien évidemment, les nanars.

Stuart Andrews

Since 2005, Toronto based film journalist Stuart “Feedback” Andrews has been a regular contributor to Rue Morgue Magazine and a spoken word contributor to Rue Morgue Radio where he’s interviewed many of the horror genre’s most celebrated figures.He studied film at Toronto’s York University and was a student of influential genre film critic Robin Wood (Hitchcock’s Films). Excerpts from his career retrospective interview with legendary filmmaker George A. Romero appear on the special features of the Weinstein Company’s 40th anniversary DVD reissue of Night of the Living Dead. He’s also the host of CKLN radio’s long running weekly film show Cinephobia Radio.

Kier-La Janisse

Kier-La Janisse Kier-La Janisse is a film writer and programmer, Owner/Artistic Director of Spectacular Optical Publications and founder of The Miskatonic Institute of Horror Studies. She has been a programmer for the Alamo Drafthouse Cinema and Fantastic Fest in Austin, Texas, co-founded Montreal microcinema Blue Sunshine, founded the CineMuerte Horror Film Festival (1999-2005) in Vancouver, was the Festival Director of Monster Fest in Melbourne, Australia and was the subject of the documentary Celluloid Horror (2005). She is the author of A Violent Professional: The Films of Luciano Rossi (FAB Press, 2007) and House of Psychotic Women: An Autobiographical Topography of Female Neurosis in Horror and Exploitation Films (FAB Press, 2012) and contributed to Destroy All Movies!! The Complete Guide to Punks on Film (Fantagraphics, 2011), Recovering 1940s Horror: Traces of a Lost Decade (Lexington, 2014) The Canadian Horror Film: Terror of the Soul (University of Toronto Press, 2015) and We Are the Martians: The Legacy of Nigel Kneale (PS Press, 2017). She co-edited and published the anthology books KID POWER! (2014), Satanic Panic: Pop-Cultural Paranoia in the 1980s (2015), Lost Girls: The Phantasmagorical Cinema of Jean Rollin (2017) and Yuletide Terror: Christmas Horror on Film and Television (2017). She is currently co-curating (with Clint Enns) an anthology book on the films of Robert Downey, Sr., and writing A Song From the Heart Beats the Devil Every Time: Children’s Programming and the Counterculture, 1965-1985, as well as monographs about Monte Hellman’s Cockfighter and Patricia Birch’s Grease 2. She is also in development on a narrative television series based on her book House of Psychotic Women with Rook Films (Free Fire, Duke of Burgundy, A Field in England). She serves on the boards for both Fantastic Fest and the American Genre Film Archive.

Virginie Sélavy

Virginie Sélavy Virginie Sélavy is the founder and editor of Electric Sheep, the online magazine for transgressive cinema. She has edited the collection of essays The End: An Electric Sheep Anthology, and has contributed to World Directory Cinema: Eastern Europe and written about Victorian London in Film Locations: Cities of the Imagination - London. Her work has appeared in various publications, including Sight&Sound, Rolling Stone France, Cineaste and Frieze.

Gavin Baddeley

GAVIN BADDELEY is an English writer specialising in the devilish and decadent, with a special interest in the darker fringes of history. He’s penned ten books and written for numerous periodicals. An honorary priest in the Church of Satan, Baddeley’s in demand as a speaker in both academic and media circles.

Jasper Sharp

Jasper Sharp Jasper Sharp is a critic, curator and co-founder of the long-running Midnight Eye.com (2001-2015) website. He book publications are The Midnight Eye Guide to New Japanese Film (2003, with Tom Mes), Behind the Pink Curtain (2008), The Historical Dictionary of Japanese Film (2011) and The Creeping Garden: Irrational Encounters with Plasmodial Slime Moulds, (2015). He is the co-director, with Tim Grabham, of The Creeping Garden (2014), an award-winning documentary about slime moulds and the people who study them.

Jim Harper

JIM HARPER is a writer and film critic specializing in cult cinema from around the globe. He is the author of Legacy of Blood: A Comprehensive Guide to Slasher Movies (Headpress, 2004) and Flowers from Hell: The Modern Japanese Horror Film (Noir, 2008). His work has appeared in many publications and websites, including Midnight Eye, MYM, Electric Sheep, Necronomicon, V-Cinema, Deranged, Alternative and Scream, and he has contributed to Intellect’s ground-breaking Directory of World Cinema series, writing for the Spanish and Japanese volumes. Currently Harper is working on a revised and updated edition of Flowers from Hell, and preparing the first English-language book about the German Edgar Wallace films of the 1960s.

Kim Newman

Kim Newman Kim Newman is a novelist, critic and broadcaster. His fiction includes The Night Mayor, Bad Dreams, Jago, the Anno Dracula novels and stories, The Quorum, The Original Dr Shade and Other Stories, Life’s Lottery, Back in the USSA (with Eugene Byrne), The Man From the Diogenes Club, Professor Moriarty: The Hound of the d’Urbervilles and An English Ghost Story under his own name and The Vampire Genevieve and Orgy of the Blood Parasites as Jack Yeovil. His non-fiction books include Nightmare Movies, Ghastly Beyond Belief (with Neil Gaiman), Horror: 100 Best Books (with Stephen Jones), Wild West Movies, The BFI Companion to Horror, Millennium Movies and BFI Classics studies of Cat People, Doctor Who and Quatermass and the Pit. He is a contributing editor to Sight & Sound and Empire magazines (writing Empire’s popular Video Dungeon column), has written and broadcast widely, and scripted radio and television documentaries. His stories ‘Week Woman’ and ‘Ubermensch’ have been adapted into an episode of the TV series The Hunger and an Australian short film; he has directed and written a tiny film Missing Girl; he co-wrote the West End play The Hallowe’en Sessions. Following his Radio 4 play ‘Cry Babies’, he wrote episodes for Radio 7’s series The Man in Black (‘Phish Phood’) and Glass Eye Pix’ Tales From Beyond the Pale (‘Sarah Minds the Dog’). He scripted (with Maura McHugh) the comic book miniseries Witchfinder: The Mysteries of Unland (Dark Horse), illustrated by Tyler Crook; it’s a spinoff from Mike Mignola’s Hellboy series. His official web-site is at www.johnnyalucard.com. His forthcoming fiction includes the novels The Secrets of Drearcliff Grange and Angels of Music . He is on Twitter as @AnnoDracula.

Jonathan Rigby

JONATHAN RIGBY is an English actor and film historian, author of the books English Gothic: A Century of Horror Cinema (2000), Christopher Lee: The Authorised Screen History (2001), American Gothic: Sixty Years of Horror Cinema (2007) and Studies in Terror: Landmarks of Horror Cinema (2011). He was also series consultant on the BBC documentaries A History of Horror with Mark Gatiss (2010) and its sequel Horror Europa (2012).

Mark Pilkington

Mark Pilkington Mark Pilkington is the author of the book and documentary film 'Mirage Men' and 'Far Out: 101 Strange Tales from Science's Outer Edge'. He has written for The Guardian, The Wire, Sight and Sound, Electric Sheep, Fortean Times, Frieze and The Quietus amongst others. He founded and runs Strange Attractor Press and regularly speaks on esoteric and fringe culture topics. www.strangeattractor.co.uk / www.miragemen.com

Stephen Thrower

Stephen Thrower Stephen Thrower, writer and musician, was born in Lancashire in 1963. After moving to London in 1985 he began writing reviews for the seminal horror magazine Shock Xpress, before launching his own film periodical Eyeball in 1989 with contributors including novelist Ramsey Campbell, filmmaker Ron Peck, and critics Kim Newman, Daniel Bird and Alan Jones. His first book, Beyond Terror: The Films of Lucio Fulci, was published in 1999, followed by The Eyeball Compendium (2003) and Nightmare USA: The Untold Story of the Exploitation Independents (2007). His most recent work is Murderous Passions; the delirious cinema of Jesús Franco, published by Strange Attractor in March 2015. Thrower and his partner Ossian Brown are founders of the avant-garde music group Cyclobe, who recently recorded new soundtracks for three Super-8 films by the British filmmaker and queer activist Derek Jarman (Sulphur, Tarot and Garden of Luxor). As a solo artist, Thrower scored Pakistan’s first gore film, Zibahkhana aka Hell's Ground (2007), contributed electronic music to Down Terrace (2010) by Ben Wheatley, and was commissioned by the BFI in 2012 to score three silent short films by the pioneering director of gay erotica Peter De Rome.

William Fowler

William Fowler is a writer, film historian and musician. He is Curator of Artists’ Moving Image, BFI National Archive and the co-founder and co-programmer of The Flipside at BFI Southbank. His seasons and restoration projects at the BFI have included GAZWRX: the films of Jeff Keen, Queer Pagan Punk: Derek Jarman and This Is Now: Film and Video After Punk, the latter of which is currently touring internationally through LUX. He has written for The Guardian, Sight and Sound and Frieze and appeared on the Today programme on BBC Radio 4, and also contributed chapters to Inside Out: Le Cinéma de Stephen Dwoskin and The Edge is Where the Centre: David Rudkin and Penda’s Fen (which he co-edited). He programmes the monthly BFI strand Essential Experiments and has since 2013 been the co-programmer of Experimenta in the London Film Festival. He regularly gives talks and presents films.

Stephen Volk

Stephen Volk Stephen Volk is best known as the writer of the BBC’s notorious "Hallowe’en hoax" Ghostwatch - called by some the most frightening thing ever produced on TV - and the award-winning ITV paranormal drama series Afterlife starring Andrew Lincoln and Lesley Sharp. His screenplays include 2011’s The Awakening starring Rebecca Hall and Dominic West, Ken Russell's Gothic starring Gabriel Byrne and Natasha Richardson, The Guardian (co-written with William Friedkin), and the 3-part TV adaptation of Phil Rickman's Midwinter of the Spirit. He won a BAFTA for The Deadness of Dad starring Rhys Ifans and wrote the play The Chapel of Unrest which was premiered at the Bush in London starring Jim Broadbent and Reece Shearsmith. A greatly admired prose writer, his 2014 short story collection 'Monsters In The Heart' won a British Fantasy Award for Best Collection, while his novella 'A Newspaper Heart', won the 2015 Award for Best Novella.