TRAILER: Miskatonic London Fall 2019 Fall Lineup!

Edited by Arif Khan | Music: “From Tokyo to Las Vegas” by Gerardo Iacoucci, available on the compilation CRIMINALE VOL 2: OSSESSIONE

The Miskatonic Institute of Horror Studies Announces Fall Lineup of Lectures and Events in Los Angeles, New York and London

The Miskatonic Institute of Horror Studies, the world’s longest-running educational organization devoted to the study of horror history, theory and production, is pleased to announce its Fall 2019 lineup of classes, led by some of the genre world’s most renowned critical, literary and filmmaking luminaries at all three of our branches. In addition to Lisa […]

Screening: THE KIRLIAN WITNESS (Los Angeles)

Sun. Aug. 25, 2019

Can spider plants sense pain? Is fern telepathy feasible? The empathic, ecophilic Laurie (Nancy Boykin) thinks so, most days eschewing human interactions in favor of quality time with her fiddle-leaf fig tree. After a sudden tragedy, her sister Rilla (Nancy Snyder), a photographer and the film’s narrator, subsumes Laurie’s plant obsession, believing that certain secrets lie within their leaves. Beautifully shot by João Fernandes (Bloodrage, 1980), The Kirlian Witness is a botanical thriller of dendritic proportions, and an essential entry in the tiny but rich horticultural horror canon.
PLUS! Enjoy a pre-screening reception in the gardens of the Velaslavasay Panorama.


Thu. Sep. 12, 2019

Within psychedelic culture the threat of the bad trip hovers like an ominous presence. Psychedelic or ‘Mind-clearing’ drugs may promise wisdom, visionary insight or a fabulous holiday for the brain, but they can also release the horrors of the id, tear the veil of sanity and pull you into the void. This class will chart the emergence of psychedelia across the Sixties and will examine the incorporation of its visual language in horror cinema during the period 1966-1972. Rather than seeing the films in question as acts of exploitation, the talk will frame them as radical works of acid horror, a from which in the case of The Dunwich Horror is used to conjure the cosmic vertigo integral to H. P. Lovecraft’s writing. Further, the talk will also read back from the films to the wider drug culture to uncover a sense of horror underpinning the psychedelic experience as a whole.


Thu. Sep. 12, 2019

Like the human cadaver, every plant, tree, flower and fungus has a story to tell. But when it comes to how plants tell stories, there are essentially two schools of thought: In the 1970s it was a popular belief – aided by unorthodox experiments, the proliferation of New Age publications and the mass-marketing of Peter Tompkins and Christopher Bird’s 1973 book The Secret Life of Plants – that, despite their lack of a nervous system, plants were sentient and emotional, and could communicate their feelings to humans with the help of electronic devices. Conversely, the scientific community found more practical ways of gleaning what plants had to tell us, through the examination of trace elements at crime scenes in the field of forensic botany.

Expanded from an article commissioned for Nicolas Winding Refn’s website, Murder Season takes a look at the ways that a disillusioned generation became obsessed with plants, not only in their homes and gardens as part of the burgeoning environmentalist and earth mysteries movements that summoned people back to their rural roots, but in laboratories and recording studios that aimed to document the ways plants experienced and witnessed the world around them and how they could communicate knowledge to us – whether imparting ancient wisdom or fingering a murderer.