LIVE FROM MISKATONIC: GARY SHERMAN IN CONVERSATION (London)

Mon. Nov. 18, 2019

In association with the Abertoir Film Festival, we are pleased to welcome Gary Sherman to the Miskatonic Institute for an evening of history, anecdotes and practical tips from his 50-year career in filmmaking, including iconic genre films such as Death Line (1972), Dead & Buried (1981), Vice Squad (1982), Wanted: Dead or Alive (1986), Poltergeist III (1988) and more.

GOD OF THE OUTSIDERS: SATAN IN LITERATURE, CULTURE, AND ENTERTAINMENT—OLD MYTH AND NEW INSIGHT (NYC)

Thu. Sep. 19, 2019

Tracing the earliest origins of humanity’s conception of an opposing force in the Eastern and Western worlds, Mitch Horowitz (author, Occult America) explores some of history’s most bracing and provocative interpretations of the Satanic—from the work of Milton and the Romantic poets (William Blake’s The Marriage of Heaven and Hell; Lord Byron’s Cain) to more recent fiction and nonfiction literary efforts (Arturo Pérez-Reverte’s The Club Dumas; Anton LaVey’s The Satanic Bible; Michael Aquino’s The Diabolicon), and examines how even some of our most recognized supernatural films (Devil’s Advocate; Rosemary’s Baby; The Ninth Gate) enunciate Satanic themes with penetrating classical validity. In the process, Mitch strips away historical and cultural preconceptions, misunderstandings, and shibboleths to open an entirely fresh window on the intellectual and cultural idea of the Satanic in Western history and contemporary life. He shines a new light into ancient myths, canonical literature, legends, and pop culture to trace out an authentic outsider tradition of Satanic thought. Join us for a challenging and eye-opening evening. You will come away with an entirely new conception of a “familiar devil.”

THE MORBIDO CRYPT’S GUIDE TO MEXICAN FANTASY AND HORROR CINEMA (Los Angeles)

Thu. Nov. 21, 2019

Join us for a scenic tour of Mexican genre cinema guided by Morbido Fest’s head programmer, Abraham Castillo Flores. Delving beyond luchadores and psychotronica, Abraham unearths the monsters that fomented a distinctive but barely acknowledged corner of our cinematic consciousness.

WANTED! MORE VIEWERS LIKE… DEPICTIONS OF HORROR FANDOM IN FILM AND TELEVISION (Los Angeles)

Thu. Oct. 10, 2019

In the comparatively nascent academic field of fan studies, very little scholarship has been devoted to horror fandom. Yet, for a branch of study invested in an audience’s passionate participation, horror fans have much to offer. Weaned on a steady diet of horror hosted syndicated shockers, EC Comics contraband, and dog-eared copies of Famous Monsters of Filmland, the dedicated “Monster Kids” of the 1950s and 1960s became the vaunted creators for the next generation. Similarly, enterprising “Gorehounds” of the 1980s, inspired by their use-worn pages of Fangoria and liquid latex-flecked copies of Dick Smith’s Do-It-Yourself Monster Make-Up Handbook went on to become the notable effects wizards for the ensuing generation. And the slithering ouroboros that is horror fandom continues to both feed and eat itself into the present day. Using fan studies as a springboard, this interdisciplinary lecture will chart the historical events, technological advancements, and cultural anxieties toward media effects that have influenced both the horror fan and the portrayal of the horror fan in film and television over the years. Dean Cameron, who famously played “Chainsaw” in Carl Reiner’s Summer School – perhaps the most recognizable fictional horror fan for viewers outside of the horror community and beloved by those within it – will be joining us for this discussion of horror fanthropology.

LIVE FROM MISKATONIC: KAREN ARTHUR IN CONVERSATION (NYC)

Sat. Oct. 19, 2019

In collaboration with the Brooklyn Horror Film Festival (which runs Oct 17-24), Miskatonic is proud to present a conversation with the pioneering director and producer Karen Arthur (THE MAFU CAGE, THE RAPE OF RICHARD BECK), who paved the way for women in genre filmmaking with her transgressive and socially challenging body of work.