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The Dreyer Connection in Alan Clarke’s Penda’s Fen (1974)

By Martyn Conterio (Note: This content was created exclusively for the Miskatonic newsletter. Each newsletter will contain original writing adjacent to our classes and so we are sharing this here to let you know what kinds of treats are in store if you sign up! Sign up to the monthly newsletter HERE >>) It might […]

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THE MISKATONIC INSTITUTE OF HORROR STUDIES UNVEILS SPRING 2018 LINEUP FOR LONDON AND NEW YORK BRANCHES, THE DIABOLIQUE SCHOLARSHIP AND NEW LONDON CO-DIRECTOR

Following the successful conclusion of our 2017 winter semester with seasonal classes on Christmas Horror on Film and Television at both our London and New York branches, the Miskatonic Institute of Horror Studies is pleased to announce our spring curriculum and instructors, as well as exciting new developments. Coming up in 2018 we’ll guide our […]

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Farewell to co-director Virginie Sélavy

Miskatonic London simply would not exist without Virginie Sélavy. It would never have gone from an “I wish” idea to a reality and thrived for the last three years without her dedication, enthusiasm and curatorial guidance, not to mention her own brilliant lecturing (which you can see more of in her four-week course on Surrealism […]

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Shirley Jackson’s Weird (NYC)

Tue. Mar. 13, 2018

This class is devoted to the work of the reclusive Vermont author whose brutal short story, “The Lottery,” still holds the record for the most letters of protest sent to The New Yorker for publishing it. Come along with instructor Kristopher Woofter as we walk through the haunted spaces of Jackson’s four major works: THE LOTTERY AND OTHER STORIES (1949), and her “uncanny house trilogy,” THE SUNDIAL (1958), THE HAUNTING OF HILL HOUSE (1959), and WE HAVE ALWAYS LIVED IN THE CASTLE (1962). A bestseller in her time, and a major influence on authors like Stephen King and Joyce Carol Oates, Jackson’s work has gone relatively unacknowledged by scholarship that relegates her to obscurity. Jackson’s body of work varied from domestic satire in her darkly humorous memoirs RAISING DEMONS and LIFE AMONG THE SAVAGES), to young-adult fiction (THE WITCHCRAFT OF SALEM VILLAGE), to uncanny psychological studies (THE ROAD THROUGH THE WALL, THE BIRD’S NEST), to her most popular work in the realm of horror and the weird. This class brings Jackson back to acknowledge her place as one of America’s—and without question one of horror’s—greatest writers.

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Black Horror: The Revolutionary Act of Subverting the White Gaze (NYC)

Tue. Feb. 13, 2018

From Spencer Williams’ Son of Ingagi to Jordan Peele’s Get Out, the cinematic screen has consistently served as a site of subversion for filmmakers of the African diaspora. Through the camera’s lens, tales of hauntings, demonic possession, vampirism, and hoodoo rituals gone awry have become a celluloid metaphor for colonization and racism’s toll on the Black psyche. This multimedia presentation will offer an immersive thematic overview of Black horror narratives while highlighting noteworthy films within the genre spanning the early 1900s to modern day. Select films will be paired with excerpts of literary, sociological, and philosophical texts to enhance students understanding of the cinematic genre and its radical roots. Through visual, cultural, and historical exploration, this presentation aims to examine and foster dialogue about what happens when subjection is subverted and what stories can be told when the white gaze is decentered.